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Catalog: Song Information: Page 62 of 83

Please keep this site alive by contributing song listings and other information to the catalog. See the bottom of every catalog page for how.

"The Cradle Will Rock"

Song not from a cycle or set

Music: see index of all cataloged songs by Blitzstein, Marc
by Blitzstein, Marc (American, 1905 - 1964)
in a 20th Century Classical style
Text: see index of all cataloged songs with texts by Blitzstein, Marc
by Blitzstein, Marc (American, 1905 - 1964)
from the author's this is a song (words and music) from The Cradle Will Rock
in English
from a gender-neutral perspective

This entry contributed by G&K around 5/8/99

Editions:
treble clef, A#3 - D#5 (original key), medium low tessitura, 1 voice and 1 piano [GET IT!]

Know this song? Add your review!


Music Comments: Allegro marcia. Powerful and angry, with many surprising harmonies.

Text Comments: Upon the topmost bough of yonder tree now, like bees in their hives, the lords and their lackeys and wives, a-swingin' Rock-a-bye baby in a nice cradle. Then they remark the air is chilly up there The sky beetle-browed, Can that be a cloud over there? And then they put out their hands and feel stormy weather! A birdie ups and cries, "Boys, this looks bad. You haven't used your eyes. You'll wish you had. That's thunder, that's lightning and it's going to surround you! No winder, those storm-birds seem to circle around you! Well you can't climb down and you can't sit still. That's a storm that's going to last until the final wind blows, and when the wind blows The cradle will rock! [one more verse, similar]

See Marc Blitzstein: Songs (Sharp, Holvik, Blier) (Recordings)

This entry contributed by G&K around 5/8/99.  The contributor(s) heard the song.

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"The Craftsmen of the Little Box"

Listen to a clip of this song Song 3 (extractable) from set The Little Box
(Audio clip needs 28.8K connection or better and RealPlayer G2)

Music: see index of all cataloged songs by Vores, Andy
by Vores, Andy (Welsh, 1956 - )
premiered by Karol Bennett, soprano
in a 20th Century Classical style
Text: see index of all cataloged songs with texts by Popa, Vasko
by Popa, Vasko
in English
from a gender-neutral perspective

This entry contributed by Andy Vores around 11/21/98

Editions:
treble clef, F4 - G5 (original key), high tessitura, 1 voice and 1 piano [GET IT!]

Know this song? Add your review!


Music Comments: Duration 0:50 Urgent, in 5/8, the piano part starts as a low ostinato.

Text Comments: Don't open the little box Heaven's hat will fall out of her Don't close her for any reason She'll bite the trouser leg of eternity Don't drop her on the earth The sun's eggs will break inside her Don't throw her in the air Earth's bones will break inside her Don't hold her in your hands The dough of the stars will go sour inside her What are you doing for God's sake Don't let her get out of your sight

This entry contributed by Andy Vores around 11/21/98.  The contributor(s) composed the song.

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"The Diary (April, 1919)"

Song 1 (not extractable) from set From the Diary of Virginia Woolf

Music: see index of all cataloged songs by Argento, Dominick
by Argento, Dominick (American, 1927 - )
premiered by Janet Baker, mezzo-soprano
in a 20th Century Classical style
Text: see index of all cataloged songs with texts by Woolf, Virginia
by Woolf, Virginia (English, 1882 - 1941)
from the author's A Writer's Diary, ed by Leonard Woolf
in English
from a gender-neutral perspective

This entry contributed by G&K around 11/12/98

Editions:
treble clef, B3 - Gb5 (original key), medium tessitura, 1 voice and 1 piano [GET IT!]

Know this song? Add your review!


Music Comments: The musical lines in voice and piano are lyrical while still being somewhat angular--it is based on a twelve tone row, although the music is very welcoming to my ear. Requires pp Gb5. "Mosso e pensieroso" quarter = 84.

Text Comments: Beginning of text: "What sort of diary should I like mine to be? Something so elastic that it will embrace anything, solemn, slight or beautiful that comes into my mind. I should like . . . I should like it to resemble some deep old desk . . . In which one flings a mass of odds and ends without looking them through." more--she wants the diary to magically coalesce to reflect our life.

Recordings: 4 recordings at Amazon.com. The one linked below is a special order at Amazon (there are two that are available for almost immediate shipping) but the one below is Janet Baker's recording and includes some RealAudio clips you can hear over the net.

See Argento: From the Diary of Virginia Woolf (Baker, Isepp) (Recordings)

This entry contributed by G&K around 11/12/98.  The contributor(s) looked over the song.

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"The Dong with a luminous nose"

Song not from a cycle or set

Music: see index of all cataloged songs by Forsyth, Malcolm
by Forsyth, Malcolm (Canadian, 1936 - )
premiered by Maureen Forrester, mezzo-soprano
in a 20th Century Classical style
Text: see index of all cataloged songs with texts by Lear, Edward
by Lear, Edward (British, 1812 - 1888)
in English
from a gender-neutral perspective

This entry contributed by CounterPoint Musical Services around 9/16/99

Editions:
treble clef, A3 - F#5 (original key), medium low tessitura, 1 voice and viola piano [GET IT!]

Know this song? Add your review!


Music Comments: A 19 page song (or even cantata!) that could be appropriate for mezzo, baritone, or conceivable bass-baritone. Different sections of the poem are set almost as set pieces, but the song continues through all of them. Simultaneously hilarious and touching. Al three soloists are challenged musically. The following is the forward found in the edition:

A Book of Nonsense appeared in 1846 and was enlarged by Lear in 1861; further enlarged in 1863. He originally dashed off these verses for the amusement of the children of friends of his, but the idea soon became permeated with his deep alienation from Victorian society and many of them, such as The Jumblies, deserve serious study in the same way that his contemorary's Alice stories do. "It is not too much to say that Lear is a powerful poet in his world of nonsense" (Angus Ross). He invented the limerick, which originally used an anti-climactic repetition of its first line as its last, "frequently after allusion to violence, oppression or social tyranny" so that it "falls away into a stammering repose of mute withdrawal".
The Dong is a pathetic nonsense character trapped in a hopeless pusuit of unattainable bliss in a melodramatic scenario at times tragic and at others comic.
Forsyth's setting for low voice, viola and piano, was commisioned by Maureen Forrester and was much inspired by British actor Stanley Holloway's reading of the poem, even to the point of borrowing the actor's intonations and his tune for "The Chorus of Jumblies". Melodrama, or the speaking of words rather than singing, is used, strange vocal qualities and even the representation of the Dong's plaintive pipe by means of a "lip-squeak". Yet the musical idiom though at times satirical, is overridingly serious and the harmonic language dissonant enough to project the melancholy despair of the poet through his imaginary creature.

Text Comments: When awful darkness and silence reign, Over the great Gromboolian Plain, Through the long, long wintry nights When the angry breakers roar as they beat on the rocky shore--When storm clouds brood on the towering heights of the Hills of the Chankley Bore The through the vast and gloomy dark there moves what seems a spark with silvery rays, Piercing the cool black night, A meteor strange and bright Hither and thither the vision strays, a single lurid light. Slowly it wanders, pauses, creeps; Anon it sparkles, flashes, leaps. And ever, as onward it gleaming goes, a light on the Bong-tree stem it throws And those who watch at that midnight hour from Hall or terrace or Lofty Tower, Cry as the wild light passes along, "The Dong, The Dong, The wandering Dong through the forest goes! The Dong, The Dong--The Dong with a luminous nose--nose--nose"
Long years agothe Dong was happy and gay till he fell in love with a Jumbly Girl who came to these shores one day. For theJumblies came in a sieve, they did, Landing at eve in the Zimmery Fidd where the oblong oysters grow and the rocks are smooth and grey, and all the wood and the valleys rang with the chorus they daily and nightly sang:
"Far and few, Far and few are the lands where the Jublies live, Their heads are green and their hands are blue and they went to sea in a sieve."
Happily happily passed those days while the cheerful Jumblies staid, they danced in circlets all night long to the plaintive pipe of the lively Dong In moonlight, sun or shade; for day and night he was always there, by the side of the Jumbly girl so fair, With her sky-blue hands and her sea-green hair, till the morning came of that hateful day when the Jumblies sail's in their sieve away, And the Dong was left on that cruel shore, gazing, gazing for evermore ever keeping his weary eyes on that pea-green sail on the far horizon, singing the Jumbly Chorus still as he sate all day on that grassy hill:
"Far and few, Far and few are the lands where the Jumblies live. Their heads are green and their hands are blue and they went to sea in a sieve."
But when the sun was low in the West, The Dong arose and said:
O, subwhere, id valley or plaid,
Bight I fide by Jubbly Girl agaid!
For ever I'll seek by lake or shore,
Till I fide by Jubbly Girl wudce bore.
Playing a pipe with silv'ry squeaks, Since then his Jumbly Girl he seeks And because by night he could not see, he gather'd the bark of the Twangum Tree, ono the flowery plain that grows, And he wove him a wondrous Nose; a Nose as Strange as a Nose could be! of vast proportions, and painted red, and tied with cords to the back of his head. In a hollow rounded space it ended, with a luminous lamp within suspended. All fenced about with a bandage stout to prevent the wind from blowing it out, and with holes all around to send the light in gleaming rays on the dismal night. And now each night and all night long over these plains still roam the Dong and above the wail of the chimp and snipe you may hear the squeak of his plaintive pipe While ever he seeks but seeks in vain to meet with his Jumbly girl again, lonely and wild he goes; the Dong with a luminous Nose. And all who watch at that midnight hour, From Hall or Terrace or Lofty Tow'r Cry as they trace the meteor bright, Moving along in the dreary night: "This is the hour when forth he goes, The Dong with a luminous Nose Yonder over the plain he goes, he goes, he goes, The Dong with a luminous Nose"

This entry contributed by G&K around 9/16/99.  The contributor(s) looked over the song.

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"The Dreadful Has Already Happened"

Listen to a clip of this song Song 7 (extractable) from set Travelling Through the Dark
(Audio clip needs 28.8K connection or better and RealPlayer G2)

Music: see index of all cataloged songs by Vores, Andy
by Vores, Andy (Welsh, 1956 - )
premiered by Mark Evans, tenor
in a 20th Century Classical style
Text: see index of all cataloged songs with texts by Strand, Mark
by Strand, Mark (Canadian, 1934 - )
in English
from a gender-neutral perspective

This entry contributed by Andy Vores around 11/22/98

Editions:
treble clef, D4 - Bb5 (original key), high tessitura, 1 voice and 1 piano [GET IT!]

Know this song? Add your review!


Music Comments: Duration 4:25 A nightmare made worse by the gentle almost matter-of-fact telling, ends with a big piano postlude synthesizing material from all the previous songs.

This entry contributed by Andy Vores around 11/22/98.  The contributor(s) composed the song.

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"The Earth Laughs"

Song 7 (not extractable) from set The Long Shadow of Lincoln

Music: see index of all cataloged songs by Paulus, Stephen
by Paulus, Stephen (American, 1949 - )
premiered by Samuel Ramey
in a 20th Century Classical style
Text: see index of all cataloged songs with texts by Sandburg, Carl
by Sandburg, Carl (American, 1878 - 1967)
from the author's The Long Shadow of Lincoln
in English
from a gender-neutral perspective

This entry contributed by G&K around 9/7/98

Editions:
bass clef, Ab2 - C4 (original key), low tessitura, 1 voice and violin, cello, and piano [GET IT!]

Know this song? Add your review!


Music Comments: A final relaxation from the tension of songs 4 and 5. Quarter note = 72, 1:40. Not difficult for anyone involved (voice, violin, cello, piano).

Text Comments: Full text (see songs 1 and 5 for other full texts): The earth laughs, the sun laughs over ev'ry wise harvest of man, over man looking toward peace by the light of the hard old teaching: "We must disenthrall ourselves."

Recordings: none--see comments in song 1

This entry contributed by G&K around 9/7/98.  The contributor(s) rehearsed the song.

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"The Economy of Vegetation"

Listen to a clip of this song Song 6 (extractable) from set The Language of the Garden
(Audio clip needs 28.8K connection or better and RealPlayer G2)

Music: see index of all cataloged songs by Vores, Andy
by Vores, Andy (Welsh, 1956 - )
premiered by Marjorie McDermott, mezzo-soprano
in a 20th Century Classical style
Text: see index of all cataloged songs with texts by Darwin, Erasmus
by Darwin, Erasmus (English, 1731 - 1802)
in English
from a gender-neutral perspective

This entry contributed by Andy Vores around 11/21/98

Editions:
treble clef, E4 - A5 (original key), medium high tessitura, 1 voice and 1 piano [GET IT!]

Know this song? Add your review!


Music Comments: Duration 0:30 Marked 'warlike'--a furious onslaught against garden pests.

Text Comments: Sylphs! on each oak-bed wound the wormy galls, With pygmy spears, or crush the venom'd balls; Fright the green locust from his foamy bed, Unweave the caterpillar's gluey thread; Chase the fierce earwig, scare the bloated toad, Arrest the snail upon his slimy road.

This entry contributed by Andy Vores around 11/21/98.  The contributor(s) composed the song.

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"The End of the World"

Song 8 (extractable) from set We Happy Few

Music: see index of all cataloged songs by Cumming, Richard
by Cumming, Richard
premiered by Donald Gramm, bass-baritone
in a 20th Century Classical style
Text: see index of all cataloged songs with texts by MacLeish, Archibald
by MacLeish, Archibald (American, 1892 - 1982)
in English
from a gender-neutral perspective

This entry contributed by G&K around 1/11/99

Editions:
treble clef, A3 - F#5 (original key), medium low tessitura, 1 voice and 1 piano [GET IT!]

Know this song? Add your review!


Music Comments: A disturbed, disturbing chromatic and dissonant circus waltz gives way to slow block chords after the top blows off. Very effective. High F# marked as "shouted."

Text Comments: Quite unexpectedly, as Vaserot The armless ambidextrian was lighting A match between his great and second toe, And Ralph the lion was engaged in biting the neck of Madame Sossman while the drum Pointed, and Teeny was about to cough In waltztime swinging Jocko by the thumb--Quite unexpectedly the top blew off: And there, there overhead, there, there hung over Those thousands of white faces, those dazed eyes, There in the starless dark the poise, the hover, There with vast wings across the cancelled skies, There in the sudden blackness the black pall of nothing, nothing, nothing, nothing at all

This entry contributed by G&K around 1/11/99.  The contributor(s) looked over the song.

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