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Catalog: Song Information: Page 61 of 83

Please keep this site alive by contributing song listings and other information to the catalog. See the bottom of every catalog page for how.

"The Ballad of the Harp-Weaver"

Listen to a clip of this song Song 4 (extractable) from set Songs to Poems of Edna St. Vincent Millay
(Audio clip needs 28.8K connection or better and RealPlayer G2)

Music: see index of all cataloged songs by Thomas, Richard Pearson
by Thomas, Richard Pearson (American)
premiered by Karen Beardsley
in a 20th Century Classical style
Text: see index of all cataloged songs with texts by St. Vincent Millay, Edna
by St. Vincent Millay, Edna (American, 1892 - 1950)
in English
from a male perspective

This entry contributed by G&K around 10/26/98

Editions:
treble clef, C4 - Bb5 (original key), medium high tessitura, 1 voice and 1 piano [GET IT!]

Know this song? Add your review!


Music Comments: (10:05) This piece is a challenge for both singer in pianist in that it encompasses several different moods and is very colorful. The singer must be very direct, but there are moments when the voice soars as well.

Text Comments: The "Ballad" tells a story in a folk tale fashion. It was awarded the Pulitzer Prize in 1924 (I believe). The song is almost a mini-opera and has, in fact, been staged on at least one occasion. In the hands of an expressive singer, it is very moving.

This entry contributed by Richard Pearson Thomas around 10/26/98.  The contributor(s) composed the song.

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"The Ballad Singer"

Listen to a clip of this song Song not from a cycle or set
(Audio clip needs 28.8K connection or better and RealPlayer G2)

Music: see index of all cataloged songs by Laitman, Lori
by Laitman, Lori (American)
in a 20th Century Classical style
Text: see index of all cataloged songs with texts by Hardy, Thomas
by Hardy, Thomas (English, 1840 - 1928)
in English
from a gender-neutral perspective

This entry contributed by Lori Laitman around 11/14/99

Editions:
bass clef, Ab2 - F4 (original key), medium low tessitura, 1 voice and 1 piano [GET IT!]

Know this song? Add your review!


Music Comments: dotted half=84, "Spirited". Alternately rollicking and dreamy. Alternate passage brings low note up to Bb2. F4s are only touched upon.

Text Comments: Sing, Ballad singer, raise a hearty tune; Make me forget there was ever a one I walked with in the meek light of the moon When the day's work was done. Rhyme, Ballad rhymer, start a country song; Make me forget that she whom I loved so well Loved Well She swore she would love me dearly, love me long. Then what I cannot tell! Sing, Ballad singer, from your litle book; Make me forget those heartbreaks, achings, fears, Make me forget her name, her sweet, sweet look, Make me forget her tears.

This entry contributed by G&K around 11/14/99.  The contributor(s) looked over the song.

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"The Bardo of The Experiencing of Reality"

Listen to a clip of this song Song 9 (extractable) from set Travelling Through the Dark
(Audio clip needs 28.8K connection or better and RealPlayer G2)

Music: see index of all cataloged songs by Vores, Andy
by Vores, Andy (Welsh, 1956 - )
premiered by Mark Evans, tenor
in a 20th Century Classical style
Text: see index of all cataloged songs with texts by Anonymous
by Anonymous
from the author's The Tibetan Book of the Dead
in English
from a gender-neutral perspective

This entry contributed by Andy Vores around 11/22/98

Editions:
treble clef, C4 - A#5 (original key), high tessitura, 1 voice and 1 piano [GET IT!]

Know this song? Add your review!


Music Comments: Duration 3:00 Austere, declamatory.

This entry contributed by Andy Vores around 11/22/98.  The contributor(s) composed the song.

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"The Best Thing of All"

Song not from a cycle or set

Music: see index of all cataloged songs by Blitzstein, Marc
by Blitzstein, Marc (American, 1905 - 1964)
premiered by Jane Pickens
in a 20th Century Classical style
Text: see index of all cataloged songs with texts by Blitzstein, Marc
by Blitzstein, Marc (American, 1905 - 1964)
from the author's this is a song (words and music) from Regina
in English
from a female perspective

This entry contributed by G&K around 5/9/99

Editions:
treble clef, E4 - A5 (original key), medium high tessitura, 1 voice and 1 piano [GET IT!]

Know this song? Add your review!


Music Comments: A roughshod song sung in the opera by the tough, not terribly sympathetically-drawn lead character. Marked Allegro con brio. Hangs mostly in middle voice (usually no higher than an E5) except for one G5 F5 passage and the final, climactic, held A5.

Text Comments: You know, if you want--if you want--if you want something that's over the wall, Don't wait--and don't hope--And don't beg--and don't crawl--Oh no, you must take what you want. You must take it in your hand like a ball. To want and take is the best thing of all! [that's about 25% of the text, which develops this theme further by denigrating the weak ones who call and hunt but do not take, ending triumphantly with the merits of wanting "something with all of your heart, with no shame, With a true aim at the start, And if you are good, very good, When the moment's nearly upon you--Take that moment, and you've got the best thing--of all!]

This entry contributed by G&K around 5/9/99.  The contributor(s) heard the song.

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"The Bonnie Blue Flag"

Listen to a clip of this song Song 1 (not extractable) from set Dear Youth
(Audio clip needs 28.8K connection or better and RealPlayer G2)

Music: see index of all cataloged songs by Hagen, Daron
by Hagen, Daron (American, 1961 - )
premiered by Robin Bourguignon, soprano
in a 20th Century Classical style
Text: see index of all cataloged songs with texts by Ketchum, Annie Chambers
by Ketchum, Annie Chambers
in English
from a gender-neutral perspective

This entry contributed by ECS Publishing around 12/28/98

Editions:
treble clef, Cb4 - Bb5 (original key), high tessitura, 1 voice and piano and flute [GET IT!]

Know this song? Add your review!


Music Comments: "With dignity and sweep" quarter = 54. In the cd's liner notes Russell Platt notes that, despite the song's rousing text, Hagen's "setting gives it a hazy Ivesian distance, not only in the stacked fourths and fifths of the piano's harmony but in the way Hagen makes a collection of discrete compositional elements sing with a single voice. The vocal part is straightforward enough to almost be a popular song of the time--something true of most of the tunes in the cycle--but contradicts the stated seven-four time signature by being clearly heard in four-four. The song's second half has a softer, gentler tone, but still lets the singer 'rally' up to a high B flat, the vocal apogee of the cycle. The result is a song which lays the groundwork for the whole set by undercutting the optimism of the text and preparing us for a more realistic treatment of the war." OK, I won't quote quite so much for the other songs, but this one seemed rather pivotal.

Text Comments: [this is an actual Confederate recruitment song text from the Civil War:] Come, brothers! rally for the right! The bravest if the brave Sends forth her ringing battle cry Beside the Atlantic wave! She leads the way in honor's path, Come brothers, near and far, Come rally round the Bonnie Blue Flag That bears a single star.

See Songs by Daron Hagen (Recordings)

This entry contributed by G&K around 12/28/98.  The contributor(s) looked over the song.

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"The Boys"

Song 3 (not extractable) from set Songs of Madness and Sorrow

Music: see index of all cataloged songs by Hagen, Daron
by Hagen, Daron (American, 1961 - )
premiered by Paul Sperry, tenor
in a 20th Century Classical style
Text: see index of all cataloged songs with texts by Anonymous
by Anonymous
from the author's Town paper, 16 June 1898
in English
from a gender-neutral perspective

This entry contributed by G&K around 2/21/99

Editions:
treble clef, D4 - G5 (original key), high tessitura, 1 voice and chamber: Flute, Oboe, Clarinet, Bassoon, French Horn, Trumpet, Piano, Percussion, Violin (3), Viola, Cello, Contrabass [GET IT!]

Know this song? Add your review!


Music Comments: A march. Full ensemble. End of song has octave or M7 leaps up to G5 on each boy's name.

Text Comments: The Boys who went to Sparta yesterday to enlist with the volunteers there for the Cuban War sent back word that there's still room for 5 or 6 more men from here. In response to this information the following young men started for there at 8 o'clock last evening: John Smith; Ara Preston; Ned Olson; Orin Brist; George Franz.

This entry contributed by G&K around 2/21/99.  The contributor(s) looked over the song.

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"The Butterfly"

Listen to a clip of this song Song 1 (not extractable) from set I Never Saw Another Butterfly
(Audio clip needs 28.8K connection or better and RealPlayer G2)

Music: see index of all cataloged songs by Laitman, Lori
by Laitman, Lori (American)
premiered by Lauren Wagner, soprano
in a 20th Century Classical style
Text: see index of all cataloged songs with texts by Friedmann, Pavel
by Friedmann, Pavel (Jewish, 1921 - 1944)
in English
from a gender-neutral perspective

This entry contributed by Lori Laitman around 9/29/99

Editions:
treble clef, C4 - A5 (original key), high tessitura, 1 voice and Eb alto saxophone [GET IT!]

Know this song? Add your review!


Music Comments: quarter = 66. From the composer's comments in the score:

"The Butterfly" opens the cycle with a cantorial-style saxophone part, conjuring up images of a fluttering butterfly. The vocal line is set independently, while the saxophone hauntingly comments on the text....[biographical poet information]...To me, despite the tremendous sadness of the text, the message of the poem is one of undying spirit.

Text Comments: The last, the very last So richly, brightly, dazzlingly yellow. Perhaps if the sun's tears would sing against a white stone....Such, such a yellow Is carried 'way up high. It went away I'm sure because it wished to kiss the world good-bye. For seven weeks I've lived in here, Penned up inside this getto. But I have found what I love here. The dandelions call to me And the white chestnut branches in the court. Only I never saw another butterfly. That butterfly was the last one. Butterflies don't live here, in the ghetto.

See I Never Saw Another Butterfly... (Poetry)

This entry contributed by G&K around 9/29/99.  The contributor(s) looked over the song.

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"The Coming of Good Luck"

Listen to a clip of this song Song 5 (extractable) from set The Rainy Summer
(Audio clip needs 28.8K connection or better and RealPlayer G2)

Music: see index of all cataloged songs by Vores, Andy
by Vores, Andy (Welsh, 1956 - )
premiered by Richard Morrison, baritone
in a 20th Century Classical style
Text: see index of all cataloged songs with texts by Herrick, Robert
by Herrick, Robert (English, 1591 - 1674)
in English
from a gender-neutral perspective

This entry contributed by Andy Vores around 11/21/98

Editions:
bass clef, C3 - D4 (original key), medium high tessitura, 1 voice and 1 piano [GET IT!]

Know this song? Add your review!


Music Comments: Duration 1vascript]


Music Comments: Duration 1:00 Simple; moves from staccato music to warmer, sustained writing with a short piano coda.

Text Comments: So good luck came, and on my roof did light Like noiseless snow, or as the dew of night: Not all at once, but gently, as the trees Are by the sunbeams tickled by degrees.

This entry contributed by Andy Vores around 11/21/98.  The contributor(s) composed the song.

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