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Catalog: Song Information: Page 55 of 83

Please keep this site alive by contributing song listings and other information to the catalog. See the bottom of every catalog page for how.

"Savior"

Song not from a cycle or set

Music: see index of all cataloged songs by Bacon, Ernst
by Bacon, Ernst (American, 1898 - 1990)
in a 20th Century Classical style
Text: see index of all cataloged songs with texts by Dickinson, Emily
by Dickinson, Emily (American, 1830 - 1886)
in English
from a gender-neutral perspective

This entry contributed by G&K around 11/10/98

Editions:
treble clef, Bbb3 - G5 (original key), medium high tessitura, 1 voice and 1 piano [GET IT!]

Know this song? Add your review!


Music Comments: Optional held A5. Most of the song is in a middle tessitura except one phrase (the one with the G5 and the optional A5) that hangs rather high. Adagio. Dynamics overall follow one large crescendo from pp to f (at the high phrase) and then decrescendo back to p. Interesting, expressive piano part (does not look terribly technically demanding) holds forth alone in the middle and end of the song.

Text Comments: Full text: Savior, I've no one else to tell and so I'll trouble Thee--I am the one forgot Thee so; Dost Thou remember me? Not for myself I came so far, That were the little load: I brought Thee the Imperial heart I had not strength to hold. The heart I carried in my own Till mine Too heavy be. Yet strangest, heavier since it went Is it too large for thee?

This entry contributed by G&K around 11/10/98.  The contributor(s) looked over the song.

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"Scherzo impromptu"

Song 4 (extractable) from set Mouvements du coeur

Music: see index of all cataloged songs by Françaix, Jean
by Françaix, Jean (French, 1912 - )
premiered by Doda Conrad, bass
in a 20th Century Classical style
Text: see index of all cataloged songs with texts by De Vilmorin, Louise
by De Vilmorin, Louise
in French
from a gender-neutral perspective

This entry contributed by G&K around 1/20/99

Editions:
bass clef, B2 - E4 (original key), medium low tessitura, 1 voice and 1 piano [GET IT!]

Know this song? Add your review!


Music Comments: Allegrissimo leggiero until the last page, which is suddenly much more slow. 3/8 and 3/4 vie for importance throughout the piece. Musically somewhat challenging.

Text Comments: Promesse au cœur de vos sourires, Votre nez bouges: vous mentez. Mais le mensonge est vérité Sous les astres de votre empire. La vérité, témérité, Aux puits des miroirs perd la face, Surgissez à fleur de vos glaces, Sortez de vos miroirs hantés. Vers moi vous avancez de face, Vous avancez, battant des cils... Et vous éloignez de profil: C'est de profil que le temps passe. Et pas à pas et fil à fil Montrant et cachant vos visages, Vous allez de bras en ombrages Depuis la Seine jusqu'au Nil. Et vous regardez les nuages Qui sont l'image de vos cœurs Changeant de forme et de couleur Et se dissipant en voyage. La belle et moi, le bel émoi, L'un est tout près, l'autre est lointaine, Miroirs, fondez-vous en fontaine. Ah! Bel émoi, donnez-la moi!

My best take on a translation:
A promise in the heart of your smiles- your nose moves: you lie. But the lie is truth under the stars of your world. The truth, which is recklessness, loses face in the well of the mirrors. You suddenly appear in your looking glass: leave from your haunted mirrors. You advance full-face towards me, you advance, batting your eyelashes... and you turn away in profile. It is in profile that time passes. And step to step and thread to thread, showing and concealing your faces, you go, from arm to shadowy arm, from the Seine to the Nile. And you look at the clouds that are the image of your hearts, changing in form and in color, and drifting away on a voyage. The beautiful one and me, the beautiful excitement- the one is everywhere near, the other is distant: mirrors, begin in a fountain. Ah! Beautiful excitement...give it to me!

This entry contributed by G&K around 1/20/99.  The contributor(s) looked over the song.

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"Se nel volto (1923)"

Song 5 (extractable) from set Cinque sonetti di Michelangiolo Buonarroti

Music: see index of all cataloged songs by Sorabji, Kaikhosru Shapurji
by Sorabji, Kaikhosru Shapurji (British, 1892 - 1988)
premiered by Harry Ingram, tenor
in a 20th Century Classical style
Text: see index of all cataloged songs with texts by Buonarroti, Michelangelo
by Buonarroti, Michelangelo (Italian, 1475 - 1564)
from the author's "Rime", edited by Enzo Noè Girardi, 1960
in Italian
from a male perspective

This entry contributed by Benjamin René around 2/20/99

Editions:
bass clef, C3 - G4 (original key), medium high tessitura, 1 voice and chamber: 1 flute, 1 clarinet, 1 oboe, 1 bassoon, 1 piano, 2 1st violins, 2 2nd violins, 2 violas, 2 cellos, 1 double-bass [GET IT!]

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Music Comments: 8 pages.
See http://www.music.mcgill.ca/~schulman/sorabji.html

Recordings: Not recorded.

See Sorabji: A Critical Celebration (Biographies)

This entry contributed by Benjamin René around 2/20/99.  The contributor(s) looked over the song.

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"Sea Chest"

Song 2 (extractable) from set Dove Sta Amore

Music: see index of all cataloged songs by Musto, John
by Musto, John (American)
premiered by Cyndia Sieden, soprano
in a 20th Century Classical style
Text: see index of all cataloged songs with texts by Sandburg, Carl
by Sandburg, Carl (American, 1878 - 1967)
in English
from a gender-neutral perspective

This entry contributed by G&K around 5/16/99

Editions:
treble clef, A3 - F#5 (transposed), medium tessitura, 1 voice and 1 piano [GET IT!]
treble clef, C4 - A5 (original key), medium high tessitura, 1 voice and 1 piano [GET IT!]
treble clef, C4 - A5 (original key), medium high tessitura, 1 voice and orchestra: 2 (pic)-2 (Eh)-2 (E flat, b cl)-2 (cbn); 2-0-0-0; perc-hp-pf; str [GET IT!]

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Music Comments: Marked "Gently rocking". Simple, attractive, haunting.

Text Comments: There was a woman loved a man as the man loved the sea. Her thoughts of him were the same as his thoughts of the sea. They made an old sea chest for their belongings together.

This entry contributed by G&K around 5/16/99.  The contributor(s) looked over the song.

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"Seascape"

Song 3 (extractable) from set On This Island, Op.11

Music: see index of all cataloged songs by Britten, Benjamin
by Britten, Benjamin (English, 1913 - 1976)
in a 20th Century Classical style
Text: see index of all cataloged songs with texts by Auden, W. H. (Wystan Hugh)
by Auden, W. H. (Wystan Hugh) (English, 1907 - 1973)
in English
from a gender-neutral perspective

This entry contributed by G&K around 4/10/99

Editions:
treble clef, C4 - Ab5 (original key), high tessitura, 1 voice and 1 piano [GET IT!]

Know this song? Add your review!


Music Comments: fast, agitated piano part. sustained vocal line. Ends tranquil and subdued.

This entry contributed by G&K around 4/10/99.  The contributor(s) looked over the song.

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"Second Goddess: Juno Lucina"

Song 3 (extractable) from set Household Tales

Music: see index of all cataloged songs by Vores, Andy
by Vores, Andy (Welsh, 1956 - )
premiered by Andrea Ehrenreich-Berg, soprano
in a 20th Century Classical style
Text: see index of all cataloged songs with texts by Willard, Nancy
by Willard, Nancy (American, 1936 - )
in English
from a female perspective

This entry contributed by Andy Vores around 11/21/98

Editions:
treble clef, F4 - F5 (original key), medium high tessitura, 1 voice and 1 piano [GET IT!]

Know this song? Add your review!


Music Comments: Duration 1:10 The vocal line stays on F4 almost entirely while the piano part is in continuous 16th-notes returning to the opening of the first song to make these first three songs a little unit on their own--a prelude to the real business of the cycle.

This entry contributed by Andy Vores around 11/21/98.  The contributor(s) composed the song.

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"Selling Techniques"

Song 2 (extractable) from set Two Poems by Nellie Hill

Music: see index of all cataloged songs by Berg, Christopher
by Berg, Christopher (American, 1949 - )
premiered by Janice Felty
in a 20th Century Classical style
Text: see index of all cataloged songs with texts by Hill, Nellie
by Hill, Nellie
in English
from a gender-neutral perspective

This entry contributed by G&K around 11/28/98

Editions:
treble clef, B3 - F5 (transposed), medium low tessitura, 1 voice and 1 piano [GET IT!]

Know this song? Add your review!


Music Comments: to be filled in by the composer in early '99.

Text Comments: Beginning of text: "He loves to watch himself standing naked before the mirror doing business on the telephone. Each action is deliberate: he bows and smiles while speaking to his customers as if he's dealing with himself. His minor flaws don't bother him, the pot belly, the baggy chin, he looks right over them to the powerful swagger he's developed, the commanding sweep of his arm. She loves to watch him." [more: she lies in bed and imitates him as he talks.]

Recordings: Opus One Records, catalog number 49 (LP only), available from the company at P.O. Box 604, Grenville, ME 04441

This entry contributed by G&K around 11/28/98.  The contributor(s) looked over the song.

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"Seventy-Ninth Street"

Song 5 (extractable) from set Cityscapes

Music: see index of all cataloged songs by Wolfson, David
by Wolfson, David (American, 1964 - )
premiered by Andrew White, baritone
in a 20th Century Classical style
Text: see index of all cataloged songs with texts by Wolfson, David
by Wolfson, David (American, 1964 - )
in English
from a gender-neutral perspective

This entry contributed by David Wolfson around 11/14/99

Editions:
bass clef, E3 - Gb4 (original key), medium high tessitura, 1 voice and 1 piano [GET IT!]

Know this song? Add your review!


Music Comments: dotted quarter=88, "Bluesy and driving." Requires sustained Gb4, mezzopiano F4

Text Comments: Oh to be young and horny, To be new like the men and women Holding down the sidewalk On seventy-ninth street, When sex pokes you from the inside Like a shy balloon And you try the postures of predators But worship leaks from behind your ears. When the late sun makes your hair hot And your clothes touch your body Like you think a lover would. When the smile you've been waiting for Lights up the world with a cartoon zap! And then you're dizzy and grinning, Running, Slapping mailboxes and Jumping for awnings, Running for home.

This entry contributed by G&K around 11/14/99.  The contributor(s) looked over the song.

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