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Catalog: Song Information: Page 4 of 83

Please keep this site alive by contributing song listings and other information to the catalog. See the bottom of every catalog page for how.

"A Summer Twilight"

Listen to a clip of this song Song 1 (extractable) from set Travelling Through the Dark
(Audio clip needs 28.8K connection or better and RealPlayer G2)

Music: see index of all cataloged songs by Vores, Andy
by Vores, Andy (Welsh, 1956 - )
premiered by Mark Evans, tenor
in a 20th Century Classical style
Text: see index of all cataloged songs with texts by Tennyson-Turner, Charles
by Tennyson-Turner, Charles
in English
from a gender-neutral perspective

This entry contributed by Andy Vores around 11/22/98

Editions:
treble clef, D4 - G5 (original key), high tessitura, 1 voice and 1 piano [GET IT!]

Know this song? Add your review!


Music Comments: Duration 2:50 Needs good soft high F#s from the start -- balmy, a dreamy summer night.

This entry contributed by Andy Vores around 11/22/98.  The contributor(s) composed the song.

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"a thousand captains"

Song 23 (extractable) from set haiku

Music: see index of all cataloged songs by Kohn, Steven Mark
by Kohn, Steven Mark (American, 1957 - )
in a 20th Century Classical style
Text: see index of all cataloged songs with texts by Basho, Matsuo
by Basho, Matsuo (Japanese, 1644 - 1694)
in English
from a gender-neutral perspective

This entry contributed by G&K around 10/15/98

Editions:
treble clef, E4 - G5 (original key), medium high tessitura, 1 voice and 1 piano [GET IT!]

Know this song? Add your review!


Music Comments: Visually striking in the cycle because it is the only one more than a page long (this is two pages). A grand 12/8 militaristic beginning (marked "With fury" and dotted quarter = 126-138) calls for a sustained high G5. On the revelation that tall grass is the only monument for the grand military aspirations of the thousand captains, vocalist must have a mp F#5. One of the more technically challenging songs.

Text Comments: tall grass is the only monument for the grand military aspirations of a thousand captains.

This entry contributed by G&K around 10/15/98.  The contributor(s) looked over the song.

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"A True Account of Talking to the Sun at Fire Island"

Song 12 (not extractable) from set Songs on Poems of Frank O'Hara

Music: see index of all cataloged songs by Berg, Christopher
by Berg, Christopher (American, 1949 - )
premiered by Chris DeBlasio
in a 20th Century Classical style
Text: see index of all cataloged songs with texts by O'Hara, Frank
by O'Hara, Frank (American, 1926 - 1966)
in English
from a gender-neutral perspective

This entry contributed by G&K around 11/30/98

Editions:
treble clef, B3 - G5 (original key), medium high tessitura, 1 voice and 1 piano [GET IT!]

Know this song? Add your review!


Music Comments: to be annotated by composer

Text Comments: Beginning of text: "The Sun woke me this morning loud and clear, saying "Hey! I've been trying to wake you up for fifteen minutes. Don't be so rude, you are only the second poet I've chosen to speak to personally so why aren't you more attentive? If I could burn you through the window I would to wake you up. I can't hang around here all day." "Sorry, Sun, I stayed up late last night talking to Hal." [more--the sun likes the poet's poetry and is generally affirming of life and of the poet. Funny and touching.

This entry contributed by G&K around 11/30/98.  The contributor(s) looked over the song.

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"A Warm Day for December"

Song 4 (not extractable) from set Songs on Poems of Frank O'Hara

Music: see index of all cataloged songs by Berg, Christopher
by Berg, Christopher (American, 1949 - )
premiered by Chris DeBlasio
in a 20th Century Classical style
Text: see index of all cataloged songs with texts by O'Hara, Frank
by O'Hara, Frank (American, 1926 - 1966)
in English
from a gender-neutral perspective

This entry contributed by G&K around 11/28/98

Editions:
treble clef, C4 - F5 (original key), medium tessitura, 1 voice and 1 piano [GET IT!]

Know this song? Add your review!


Music Comments: to be annotated by composer in '99

Text Comments: Beginning of text: "Fifty-seventh Street--street of joy--I am a microcosm in your macrocosm--and then a macrocosm in your microcosm a hydrogen bomb too tiny to make an eye water and yet I toddle along past the reverential windows of Tiffany with its diamond clips on paper bags--street of dreams" [more]

This entry contributed by G&K around 11/28/98.  The contributor(s) looked over the song.

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"A Winter Night"

Song 2 (extractable) from set The Metropolitan Tower and Other Songs

Music: see index of all cataloged songs by Laitman, Lori
by Laitman, Lori (American)
premiered by Lauren Wagner, soprano
in a 20th Century Classical style
Text: see index of all cataloged songs with texts by Teasdale, Sara
by Teasdale, Sara (American, 1884 - 1933)
in English
from a gender-neutral perspective

This entry contributed by Lori Laitman around 9/28/99

Editions:
treble clef, Db4 - G5 (original key), medium high tessitura, 1 voice and 1 piano [GET IT!]

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Music Comments: Lyrical, quarter = 69. Begins with slow block chords in the left hand and quiet dissonance; builds to more warmth and passion as narrator pleads to God for the poor; and freezes again when the narrator reflects on her own comfort and her heart's pain. Closing piano passage marked "dirge-like." Not too high for voice, but requires free high G.

Text Comments: My window pane is starred with frost, The world is bitter cold tonight, The moon is cruel, and the wind Is like a two-edged sword to smite. God pity all the homeless ones, The beggars pacing to and fro, God pity all the poor tonight Who walk the lamp-lit streets of snow. My room is like a bit of June, Warm and close-curtained fold on fold, But somewhere, like a homeless child, My heart is crying in the cold.

This entry contributed by G&K around 9/28/99.  The contributor(s) looked over the song.

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"A.J. Dayton"

Song 6 (not extractable) from set Songs of Madness and Sorrow

Music: see index of all cataloged songs by Hagen, Daron
by Hagen, Daron (American, 1961 - )
premiered by Paul Sperry, tenor
in a 20th Century Classical style
Text: see index of all cataloged songs with texts by Anonymous
by Anonymous
from the author's Wisconsin State Journal, 19 April 1900
in English
from a gender-neutral perspective

This entry contributed by G&K around 2/21/99

Editions:
treble clef, G4 - D5 (original key), medium high tessitura, 1 voice and chamber: Flute, Oboe, Clarinet, Bassoon, French Horn, Trumpet, Piano, Percussion, Violin (3), Viola, Cello, Contrabass [GET IT!]

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Music Comments: Voice travels almost entirely along the same wave of G4, Ab4, C#5, D5, C#5, Ab4, G4, repeat, for the entire song (a perpetual motion). Very fast vibraphone line throughout the song with occasional additions from most of the rest of the ensemble.

Text Comments: Constant worrying over the thought that he wouldn't solve the mysteries of perpetual motion has driven A.J. Dayton of Janesville insane.... For the past fourteen years he has studied at night until way into morning. It is said he spent considerable money in efforts to solve the mystery of perpetual motion.

This entry contributed by G&K around 2/21/99.  The contributor(s) looked over the song.

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"Ad Luciam Beatricem"

Song not from a cycle or set

Music: see index of all cataloged songs by Eaton, John
by Eaton, John (American)
premiered by Nelda Nelson, mezzo-soprano
in a 20th Century Classical style
Text: see index of all cataloged songs with texts by Florentinus, Henricus Hugo Paolo I
by Florentinus, Henricus Hugo Paolo I
in Latin
from a gender-neutral perspective

This entry contributed by John Eaton around 3/20/99

Editions:
treble clef, G3 - A5 (original key), medium tessitura, 1 voice and clarinet [GET IT!]

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Music Comments: 6'. Premiered at the American Academy in Rome by Nelda Nelson and David Keberle, Aug.6, 1995.

Text Comments: Ad Luciam Beatricem (Lullaby)

Angelus ad cunas vigil adstadt; Lucia, dormi; Custodit cunas angelus usque vigil. (The angel stands over your crib, sleep, Lucia The angel guards the cribs, always watchful.) Ventus ubique furit veniens de montibus altis, Arcis Francisci nix tegit alta vias; (The wind rages everywhere coming from the high mountains, The high snow covers the roads at the fortress of Francis.) Vexat hiems gelido silvarum flamine frondes, Verna sed in cunis te fovet aura tepens. ... (The winter shakes with a cold blast the branches of the forest, But in your crib a warm spring breeze is comforting you.) Angelus adducet sopitae somnia laeta; Claude oculos; placidus, Lucia, somnus adest. (The angel will bring happy dreams to the one who has been put to sleep; Close your eyes, Lucia, a quiet sleep is here.) Clausis caeruleis oculis errare per hortos Incipies magicos: quae tibi regna patent! ... (Your blue eyes will begin to wander through magical gardens. What kingdoms lie open to you!) Crescas ac niteas fragrans ut flosculus Alpis, Dulcis cura patris, Lucia, matris amor; (May you grow and shine fragrantly as the little flowers of the Alps, Sweet care of your father, Lucia, love of your mother.) Coeperis ut pedibus vestigia ponere prima, Quicquid pes tetigit, floreat inde rosa. (As you begin to take your first steps, Whatever your foot has touched, there may a rose flower.)

This entry contributed by John Eaton around 3/20/99.  The contributor(s) composed the song.

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"Adieu de la Mariée"

Song 2 (extractable) from set Three Métis Folk Songs from Saskatchewan

Music: see index of all cataloged songs by Forsyth, Malcolm
by Forsyth, Malcolm (Canadian, 1936 - )
premiered by Maureen Forrester, mezzosoprano
in a 20th Century Classical style
Text: see index of all cataloged songs with texts by Anonymous
by Anonymous
in French
from a gender-neutral perspective

This entry contributed by CounterPoint Musical Services around 10/31/99

Editions:
treble clef, C#4 - C#5 (original key), medium tessitura, 1 voice and 1 piano [GET IT!]

Know this song? Add your review!


Music Comments: Slow and sad, then Lightly and quicker, then Flowing, with childlike simplicity, then Slow and sad again. 4'05".
From the comments in the score: Another well-loved folk song, sung in this version by Joseph Gaspard Jeannotte, it exists in many considerably differing versions in Canada (Quebec alone has fifty-two versions), the U.S.A., Belgium and France.

Text Comments: (The Farewell of a Bride)
From the comments in the score: A sad, haunting melody conveys the story of a young woman about to enter an arranged marriage (perhaps, as suggested by Malcolm Forsyth, precipitated by her less than circumspect behaviour on the banks of the creek she loved so much). She bids farewell not only to her parents, sisters, and brothers, but also to her youth, personal possessions and dreams of the future. She will put on her white dress and, poignantly, her "hat of care" and "necklace of sighs". The future husband is not mentioned. Marriage is the inevitable lot of women, their religious duty.The rest of her life is clear, "aller dans la misere".

This entry contributed by G&K around 10/31/99.  The contributor(s) looked over the song.

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