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Bibliography: Title Index: Page 50 of 58

Please keep this site alive by contributing bibliographical listings and reviews to the bibliography. See the bottom of every bibliography page for how.

The Swimming Dragon: a Chinese Way to Fitness, Beautiful Skin, Weight Loss, and High Energy

Shih, T. K [books]. The Swimming Dragon: a Chinese Way to Fitness, Beautiful Skin, Weight Loss, and High Energy. Station Hill Press, 1989.
Notes: 160 pages
ISBN: 0-88268-063-3; Approx. cost in $US as of 11/3/98: $11.96
Buy this at Amazon and support our site! Amazon has at least one on-line review of this item.
See Also: Health and Healing

This entry contributed by VOCALIST around 11/3/98


Review:
v02.n221: (Tai Chi)

This entry contributed by VOCALIST around 11/3/98

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The Tao of Voice : A New East-West Approach to Transforming the Singing and Speaking Voice

Cheng, Stephen Chun-Tao [books]. The Tao of Voice : A New East-West Approach to Transforming the Singing and Speaking Voice. Foreword by Jean Houston. Rochester, VT: Destiny Books, 1991.
ISBN: 0892812605
Buy this at Amazon and support our site!
See Also: Classical Vocal Training (1950 to present)

This entry contributed by VOCALIST around 10/27/98


Review:
v04.n804 has some conflicting reports. One person says, "Just use common sense with the more radical stuff he suggests, like tying the end of your tongue to a doorknob, and opening and closing the door to stretch out the tongue. There are a lot easier and safer ways to do tongue work. Did like the Tai Chi stuff, since I always enjoy any kind of singing dance, body movement stuff." However, another person responded, "This same statement was made the last time this excellent book was discussed on the list, and I would like to say that I do not remember any such nonsense in this book! [ . . . .] My recollection of this book, which I read a while back, is that it is full of excellent, healthful advice -- no quackery! If you have evidence to the contrary, please be more specific. Thanks. (The book was recommended to me by an esteemed vocal colleague, and I know she would recommend only the finest materials!)"

This entry contributed by VOCALIST around 10/27/98

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The Task, and Selected Other Poems [by William Cowper]

Cowper, William [books, songs]. The Task, and Selected Other Poems [by William Cowper]. James Sambrook, editor. Longman Annotated Texts. Addison-Wesley Pub Co, 1994.
Notes: 333 pp
ISBN: 0582087279; Approx. cost in $US as of 4/6/99: $34
Buy this at Amazon and support our site! Amazon usually ships this item within a week.
See Also: Poetry

This entry contributed by G&K around 4/6/99

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The Tenor Voice

Frisell, Anthony [books]. The Tenor Voice. Boston: B. Humphries, 1964.
Notes: To order any of Mr. Frisell's books, contact him at: 351 West 45th Street, New York, NY 10036 212-246-3385. The "Voice" series has been reissued by him at $25 each plus $5 shipping. The newer book is $45 + $5 shipping. prices current as of November, 1996,
ISBN: 0828313873
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See Also: Classical Vocal Training (1950 to present)

This entry contributed by VOCALIST around 10/28/98


Review:
v01.n024 (I could not find the reference--G.P.)

This entry contributed by VOCALIST around 10/28/98

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The Third Line: The Opera Performer as Interpreter

Helfgot, Daniel [books], William Beeman [books]. The Third Line: The Opera Performer as Interpreter. New York: Macmillan, 1993.
ISBN: 0-02-8710360-3; Approx. cost in $US as of 10/31/98: $35
Buy this at Amazon and support our site!
See Also: Singing and Acting & Opera Resources

This entry contributed by VOCALIST around 10/31/98


Review:
For discount price see vocalist v02.n112. More info in v02.n116. In v02.n112 WBEEMAN@Brownvm.Brown.edu (William O. Beeman) says, "The book shows singers systematically how to go about analyzing the opera score for dramatic and interpretive opportunities often ignored in the opera world....material on auditions, career management..." [ed.: this reviewer is one of the authors, an American singer in Germany last I noticed] blurb says: Every opera performer is inescapably an actor as well as a vocalist. In order to survive as marketable artists in an increasingly competetive environment, opera singers must be able to perform with greater dramatic depth or comedic skill than was ever expected in the last generation of opera stars. Yet many performers have difficulty in attaining the twin goals of vocal excellence and credible acting. Most training--whether institutional or private--emphasizes vocal technique to a degree that crowds out the other dimensions of performance.

As Daniel Helfgot and William O. Beeman argue in THE THIRD LINE, opera performers must take charge of their own professional education. Stressing opera interpretation, not simply opera singing, they propose that performers study a "third line" of an opera score. Traditional techniques teach the conventional two lines of the musical score: the text and the music. The third line consists of interpretive dimensions that naturally derive from the interaction of text and music. The third line consists of interpretive dimensions that naturally derive from the interaction of text and music, including movement, focus, facial expression, and vocal inflection. It is based on knowledge of the historical, literary, and cultural contexts of opera characters as well as the understanding of musical styles and performance practices.

This entry contributed by VOCALIST around 10/31/98

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The Twelve Caesars

Suetonius Tranquillus, Gaius [books]. The Twelve Caesars. Translated by Robert Graves. Rev., with an introduction by Michael Grant. New York: Penguin books, 1980.
Notes: 363 pages
ISBN: 0140440720; Approx. cost in $US as of 11/5/98: $10.36
Buy this at Amazon and support our site! Amazon usually ships this item within a week and has at least one on-line review of this item.
See Also: Histories & Classical Vocal Training (Pre-1900)

This entry contributed by VOCALIST around 11/5/98


Review:
v03.n239: a reference to vocal training in ancient times

This entry contributed by VOCALIST around 11/5/98

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The Use and Training of the Human Voice; A Practical Approach to Speech and Voice Dynamics

Lessac, Arthur [books]. The Use and Training of the Human Voice; A Practical Approach to Speech and Voice Dynamics. DBS Publications, 1967.
ISBN: 0896760723
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See Also: Speech Training and Therapy

This entry contributed by VOCALIST around 11/1/98


Review:
v03.n208 [in reference to vocal 'mask' idea]

This entry contributed by VOCALIST around 11/1/98

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The Vocal Coach Workout Book

Beatty, Chris [books]. The Vocal Coach Workout Book. Nashville, TN: Star Song, 1992.
See Also: Pop Vocal Training

This entry contributed by Jock Nicholson around 2/4/99

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The Vocalist's Guide

Bennett, Alfred W. [books]. The Vocalist's Guide. London: Cramer, Addison, & Beale, 1830.
See Also: Classical Vocal Training (Pre-1900)

This entry contributed by Jock Nicholson around 2/4/99

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The Vocalists' Vademecum

D'Esté, John [books]. The Vocalists' Vademecum. London: Self-published, 1872.
Notes: 109 pp.
See Also: Classical Vocal Training (Pre-1900)

This entry contributed by Jock Nicholson around 2/4/99

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The Voice and Its Disorders

Greene, Margaret C. L [books], Lesley Mathieson [books]. The Voice and Its Disorders. 5th ed. New Jersey: Whurr Publishers, 1989.
ISBN: 187910508X
Buy this at Amazon and support our site!
See Also: Vocal Anatomy and Health & Speech Training and Therapy

This entry contributed by VOCALIST around 10/31/98


Review:
v04.n095 v02.n269 [no review]

This entry contributed by VOCALIST around 10/31/98

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The voice and voice therapy

Boone, Daniel R [books], Stephen C McFarlane [books]. The voice and voice therapy. 5th ed. Englewood Cliffs, NJ: Prentice Hall, 1994.
ISBN: 0130306770
Buy this at Amazon and support our site!
See Also: Vocal Anatomy and Health & Speech Training and Therapy

This entry contributed by VOCALIST around 10/30/98


Review:
v02.n355 [has a quote only]

This entry contributed by VOCALIST around 10/30/98

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The Voice Governor

Harper, Ralph M. [books]. The Voice Governor. Boston: E. C. Schirmer Music Co., 1940-1945.
Notes: 152 pp., no index
See Also: Classical Vocal Training (1900-1949)

This entry contributed by Jock Nicholson around 2/4/99

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The Voice in Singing

Seiler, Emma [books]. The Voice in Singing. Translated from German. Philadelphia: Lippincott & Co., 1868.
Notes: 178 pp.
See Also: Classical Vocal Training (Pre-1900) & Vocal Anatomy and Health

This entry contributed by Jock Nicholson around 2/5/99


Review:
One of the early pioneers in the art and physics of singing. She worked with the great professor Hermann Helmholtz.

This entry contributed by Jock Nicholson around 2/5/99

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The Voice in Song & Speech and Practical Singing

Heller, Gordon [books]. The Voice in Song & Speech and Practical Singing. London: Waverly Book Co..
See Also: Classical Vocal Training (1950 to present)

This entry contributed by Jock Nicholson around 2/4/99

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