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News Archive: Page 16 of 2711/8/98: Hatstand Opera Murder!
Well, we are back from tour! Thank goodness! I still don't have much time
though--more tomorrow. Meanwhile, two bits of news. First, the new automated Singers' Bibliography is up! It still has a few
glitches, I think, but I wanted to go ahead and get it up. I'll point out the new
features later. You can go ahead and explore it now.
Second, I got an email from Kirsty Young, the director of Hatstand Opera. Perhaps
some of you can help her out:
- I am planning a performance entitled 'Opera can be Murder', opera's goriest moments
investigated by a famous 'detective'. I am asking singers and producers all over the world
via the Internet to suggest their top three murderous moments. All contributions
gratefully received! (The murder needn't be a mystery; you nearly always know in
opera 'whodunnit' anyway, because the inspector is more investigating opera's obsession
with the whole thing.)
The response so far has been great; why not join in creating the first production I know
planned over the Net!
Kirsty Young, Director Hatstand Opera (hatstand@dircon.co.uk)
So, email away!
Song Catalog
No new songs
Bibliography
02-Nov-98: Never Sing Louder Than Lovely, by Isabel Baillie.02-Nov-98: Stanislavski: A Biography, by Jean Benedetti.02-Nov-98: A Quaker Singer's Recollections, by David Bispham, by David Scull Bispham.02-Nov-98: Jussi, by Anneliese Bjoerling.02-Nov-98: Enrico Caruso, His Life and Death, by Dorothy Park (Benjamin) Caruso.02-Nov-98: Enrico Caruso: My Father and my Family, by Enrico Caruso, Jr.02-Nov-98: My First Forty Years, by Placido Domingo.02-Nov-98: The Opera, by Robert Donington.02-Nov-98: The Rise of Opera, by Robert Donington.02-Nov-98: Rosa Ponselle: A Centenary Biography, by James A Drake.02-Nov-98: Some Memories and Reflections, by Emma Eames.02-Nov-98: Schubert: A Biographical Study of his Songs, by Dietrich Fischer-Dieskau.02-Nov-98: Out of Character: A Memoir, by Maureen Forrester.02-Nov-98: Yankee Diva: Lillian Nordica and the Golden Days of Opera, by Ira Glackens.02-Nov-98: A History of Western Music, by Donald Jay Grout.02-Nov-98: A Short History of Opera, by Donald Jay Grout.02-Nov-98: My Wife and I: The Story of Louise and Sidney Homer, by Sidney Homer.02-Nov-98: Louise Homer and the Golden Age of Opera, by Anne Homer.02-Nov-98: Marilyn Horne: My Life, by Marilyn Horne.02-Nov-98: A Concise Biographical Dictionary of Singers: From the Beginning of Recorded Sound to the Present, by K. J Kutsch, Leo Riemens.02-Nov-98: Carl Orff: Idee und Werk. 2, by Andreas Liess.02-Nov-98: Aria for George, by Nora London.02-Nov-98: I Remember Too Much: 89 Opera Stars Speak Candidly of Their Work, Their Lives, and Their Colleagues, by Dennis McGovern, Deborah Grace Winer.02-Nov-98: Melodies and Memories, by Dame Nellie Melba.02-Nov-98: Once More From the Beginning, by Robert Merrill.02-Nov-98: La Nilsson: Birgit Nilsson, by Birgit Nilsson.02-Nov-98: French Song from Berlioz to Duparc: The Origin and Development of the Melodie, by Frits Noske.02-Nov-98: Music and the Theater: An Introduction to Opera, by Reinhard G Pauly.02-Nov-98: The Bluebird of Happiness: The Memoirs of Jan Peerce, by Jan Peerce.02-Nov-98: Montserrat Caballe', Casta Diva, by Robert Pullen, Stephen Taylor.02-Nov-98: The Last Prima Donnas, by Lanfranco Rasponi.02-Nov-98: Ruffo, My Parabola: The Autobiography of Titta Ruffo, by Titta Ruffo.02-Nov-98: I'm Not Making This Up, You Know: The Autobiography of the Queen of Musical Parody, by Anna Russell.02-Nov-98: Ethel Smith: A Biography, by Christopher Marie St. John.02-Nov-98: Student and Singer: The Reminiscences of Charles Santley, by Sir Charles Santley.02-Nov-98: What Time's the Next Swan? By Walter Slezak as Told to Smith-Corona Model 88E, by Walter Slezak.02-Nov-98: Castles in the Air: A Story of my Singing Days, by Viola Tree.02-Nov-98: Letters of a Baritone, by Francis Walker.02-Nov-98: The Night and the Music: Rosemary Clooney, Barbara Cook, and Julie Wilson, Inside the World of Cabaret, by Deborah Grace Winer.02-Nov-98: Shaw on Music, by Eric Bentley.02-Nov-98: Evenings with the Orchestra, by Hector Berlioz.02-Nov-98: The Memoirs of Hector Berlioz, Member of the French Institute: Including
his travels in Italy, Germany, Russia, and England, 1803-1865, by Hector Berlioz.02-Nov-98: Thirty Years' Musical Recollections, by Henry Fothergill Chorley.02-Nov-98: The Collected Musical Criticism of Eduard Hanslick, by Eduard Hanslick.02-Nov-98: Hanslick's Music Criticisms, by Eduard Hanslick.02-Nov-98: The Art of Singing, by William James Henderson.02-Nov-98: Neue Zeitschrift für Musik, by Robert Schumann, [unknown].02-Nov-98: The Great Singers: From Jenny Lind to Callas and Pavarotti, by Henry Pleasants.02-Nov-98: Life of Rossini, by Stendhal.02-Nov-98: Dramatic Opinions and Essays, With an Apology, by Bernard Shaw, by George Bernard Shaw.02-Nov-98: The Great Composers: Reviews and Bombardments, by George Bernard Shaw.02-Nov-98: London Music in 1888-89 as Heard by Corno di Bassetto (Later Known as Bernard Shaw) with some Further Autobiographical Particulars, by George Bernard Shaw.02-Nov-98: Music in London, 1890-1894, by George Bernard Shaw.02-Nov-98: Our Theatres in the Nineties, by George Bernard Shaw.02-Nov-98: Pen Portraits and Reviews, by George Bernard Shaw.02-Nov-98: The Perfect Wagnerite: A Commentary on the Niblung's Ring, by George Bernard Shaw.02-Nov-98: Plays & Players: Essays on the Theatre, by George Bernard Shaw.02-Nov-98: Plays: Pleasant and Unpleasant, by George Bernard Shaw.02-Nov-98: Shaw on Theatre, by George Bernard Shaw.02-Nov-98: Actors and Singers, by Richard Wagner.02-Nov-98: The Art of Accompanying and Coaching, by Kurt Adler.02-Nov-98: A New Approach to Sight-singing, by Sol Berkowitz, Gabriel Fontrier, Leo Kraft.02-Nov-98: Perfect Pitch: Color Hearing for Expanded Musical Awareness, by David L Burge.02-Nov-98: Musicianship for Singers: What Singers Need to Learn About Music that Instrumentalists Already Know, by Jeffrey Deutsch.02-Nov-98: Orpheus Unbuttoned, by Robert W Eckert.02-Nov-98: Learning Sequences in Music: Skill, Content, and Patterns, by Edwin Gordon.02-Nov-98: Basic Materials in Music Theory: A Programed Course, by Paul O Harder.03-Nov-98: Harmonic Materials in Tonal Music: A Programmed Course, by Paul O Harder.03-Nov-98: Elementary training for musicians, by Paul Hindemith.03-Nov-98: Programmed rudiments of music, by Robert W Ottman.03-Nov-98: Fit over Forty: A Revolutionary Plan to Achieve Lifelong Physical and Spiritual Health and Well-being, by James M Rippe.03-Nov-98: Successful Sight Singing: A Creative, Step by Step Approach, by Nancy Telfer.03-Nov-98: Discover Your Voice: How to Develop Healthy Voice Habits, by Oren Brown.03-Nov-98: Introduction to the Musical Brain, by Don Campbell.03-Nov-98: Music and Miracles, by Don Campbell.03-Nov-98: Music: Physician for Times to Come, by Don Campbell.03-Nov-98: The Roar of Silence: Healing Powers of Breath, Tone and Music, by Don Campbell.03-Nov-98: Change Your Voice, Change Your Life: A Quick Simple Plan for Finding and Using Your Natural, Dynamic Voice, by Morton Cooper.03-Nov-98: Stop Committing Voice Suicide, by Morton Cooper.03-Nov-98: Winning with Your Voice, by Morton Cooper.03-Nov-98: Sounding the Inner Landscape: Music as Medicine, by Kay Gardner.03-Nov-98: The Healing Voice, by Joy Gardner-Gordon.03-Nov-98: The Inner Game of Music, by Barry Green, Timothy Galwey.03-Nov-98: Power Speech: The Sound of Success, by Geoffrey G Forward.03-Nov-98: Harmonies of Heaven and Earth: The Spiritual Dimension of Music from Antiquity to the Avant-garde, by Joscelyn Godwin.03-Nov-98: Music, Mysticism, and Magic: A Sourcebook, by Joscelyn Godwin.03-Nov-98: Tensions in the Performance of Music, by Carola Grindea.03-Nov-98: Sing, Clean Your Brain, and Stay Sound and Sane: Postulate of Mechanical Effect of Vocalisation on the Brain, by Karel F Jindrak, Heda Jindrak.03-Nov-98: Toning: The Creative Power of the Voice, by Laurel Elizabeth Keyes.03-Nov-98: Music as Medicine: Deforia Lane's Life of Music, Healing, and Faith, by Deforia Lane.03-Nov-98: You Are Your Instrument: The Definitive Musician's Guide to Practice and Performance, by Julie Lyonn Lieberman.03-Nov-98: Freeing the Natural Voice, by Kristin Linklater.03-Nov-98: The Singing Cure: An Introduction to Voice Movement Therapy, by Paul Newham.03-Nov-98: Opera 101: A Complete Guide to Learning and Loving Opera, by Fred Plotkin.03-Nov-98: A Soprano On Her Head: Right-side-up Reflections on Life and other Performances, by Eloise Ristad.03-Nov-98: Notes From The Green Room: Coping with Stress and Anxiety in Musical Performance, by Paul G Salmon, Robert G Meyer.03-Nov-98: International Directory and Resource Guide, by Sound Healers Association.03-Nov-98: Embracing Our Selves: The Voice Dialogue Manual, by Hal Stone, Sidra Winkelman.03-Nov-98: Overcoming Panic, Anxiety, and Phobias, by Shirley Babior.03-Nov-98: Prescription for Nutritional Healing, by James F Balch, M.D..03-Nov-98: The Alexander Technique, by Wilfred Barlow.03-Nov-98: Zen Driving, by K. T Berger.03-Nov-98: How to Find the Work You Love, by Laurence G Boldt.03-Nov-98: The Psychology of Self-esteem: A New Concept of Man's Psychological Nature, by Nathaniel Branden.03-Nov-98: The Six Pillars of Self-esteem, by Nathaniel Branden.03-Nov-98: Feeling Good: The New Mood Therapy, by David D Burns.03-Nov-98: Use Your Perfect Memory, by Tony Buzan.03-Nov-98: The Artist's Way: A Spiritual Path to Higher Creativity, by Julia Cameron.03-Nov-98: Rhythms of Learning, by Don Campbell, Chris Brewer.03-Nov-98: How to Learn the Alexander Technique: A Manual for Students, by Barbara Conable.03-Nov-98: The Seven Habits of Highly Effective People: Restoring the Character Ethic, by Stephen R Covey.03-Nov-98: The Relaxation & Stress Reduction Workbook, by Martha Davis.03-Nov-98: Leader's Guide to the Relaxation & Stress Reduction Workbook, by Martha Davis.03-Nov-98: Awareness Through Movement: Health Exercises for Personal Growth, by Moshe Feldenkrais.03-Nov-98: Your Guide to the Alexander Technique, by John Gray.03-Nov-98: You Can Heal Your Life, by Louise L Hay.03-Nov-98: What to Say When You Talk to Yourself, by Shad Helmstetter.03-Nov-98: Conscious Breathing: Breathwork for Health, Stress Release, and Personal Mastery, by Gay Hendricks.03-Nov-98: Zen in the Art of Archery, by Eugen Herrigel.03-Nov-98: The Soul's Code: In Search of Character and Calling, by James Hillman.03-Nov-98: The Possible Human, the Possible Society, by Jean Houston.03-Nov-98: Feel the Fear and Do It Anyway, by Susan Jeffers.03-Nov-98: Please Understand Me: Character & Temperament types, by David Keirsey, Marilyn Bates.03-Nov-98: Macrobiotics and oriental medicine: an introduction to holistic health, by Michio Kushi.03-Nov-98: The Alexander Technique, by Judith Leibowitz, Bill Connington.03-Nov-98: Mastery: The Keys to Long-term Success and Fulfillment, by George Leonard.03-Nov-98: When Listening Comes Alive: a guide to effective learning and communication, by Paul Madaule.03-Nov-98: Care of the soul: a guide for cultivating depth and sacredness in everyday life, by Thomas Moore.03-Nov-98: The road less traveled, by M. Scott Peck.03-Nov-98: Further along the road less traveled: the unending journey toward spiritual growth: the edited lectures, by M. Scott Peck.03-Nov-98: Return to Life Through Contrology, by Joseph H Pilates, William John Miller.03-Nov-98: The Little Engine that Could, by Watty Piper.03-Nov-98: Zen and the Art of Motorcycle Maintenance, by Robert M Pirsig.03-Nov-98: Awaken the Giant Within: How to Take Immediate Control of your Mental, Emotional, Physical & Financial Destiny, by Anthony Robbins.03-Nov-98: The Nature of Personal Reality, by Jane Roberts.03-Nov-98: The Family Health Guide to Homeopathy, by Barry Rose, M.D..03-Nov-98: Never be Nervous Again, by Dorothy Sarnoff.03-Nov-98: Letting Go of Stress, by Jackie Schwartz.03-Nov-98: Oh, The Places You'll Go!, by Dr Seuss.03-Nov-98: Wishcraft: How to Get What You Really Want, by Barbara Sher.03-Nov-98: The Swimming Dragon: a Chinese Way to Fitness, Beautiful Skin, Weight Loss, and High Energy, by T. K Shih.03-Nov-98: Do What You Love, the Money Will Follow: Discovering Your Right Livelihood, by Marsha Sinetar.03-Nov-98: The Way They Learn, by Cynthia Ulrich Tobias.03-Nov-98: Feelings Buried Alive Never Die, by Karol Kuhn Truman.03-Nov-98: Anger Kills: Seventeen Strategies for Controlling the Hostility That Can Harm your Health, by Redford B Williams, Virginia Williams.03-Nov-98: A Return to Love: Reflections on the Principles of a Course in Miracles, by Marianne Williamson.03-Nov-98: Relaxercise: The Easy New Way to Health & Fitness, by David Zemach-Bersin.03-Nov-98: Music and the Mind, by Anthony Storr.04-Nov-98: The Alteration, by Kingsley Amis.04-Nov-98: Pride and Prejudice, by Jane Austen.04-Nov-98: Songmaster, by Orson Scott Card.04-Nov-98: The Song of the Lark, by Willa Cather.04-Nov-98: Of Lena Geyer, by Marcia Davenport.04-Nov-98: A Mixture of Frailties, by Robertson Davies.04-Nov-98: The Lyre of Orpheus: A Novel, by Robertson Davies.04-Nov-98: Daniel Deronda, by George Eliot.04-Nov-98: Le fantome de l'opera, by Gaston Leroux.04-Nov-98: Dragonsong, by Anne McCaffrey.04-Nov-98: Dragonsinger, by Anne McCaffrey.04-Nov-98: Mawrdew Czgowchwz, by James McCourt.04-Nov-98: Divas: A Novel, by Robert Merrill, Fred Jarvis.04-Nov-98: Of Tangible Ghosts, by L. E Modesitt.04-Nov-98: Soprano Sorceress, by L. E Modesitt.04-Nov-98: The Lion's Way, by Louis Orde.04-Nov-98: Maskerade, by Terry Pratchett.04-Nov-98: A la recherche du temps perdu (Remembrance of Things Past), by Marcel Proust.04-Nov-98: The Praise Singer, by Mary Renault.04-Nov-98: Cry to Heaven, by Anne Rice.04-Nov-98: The Singing Teacher: A Novel, by Susan Skramstad.04-Nov-98: Frozen Music, by Michael J Vaughn.04-Nov-98: Harmony and Voice Leading, by Edward Aldwell, Carl Schachter.04-Nov-98: Words About Music: A Treasury of Writings, by John Amis, Michael Rose.04-Nov-98: The A to Z of Foreign Musical Terms, by Christine Ammer.04-Nov-98: The World of the Castrati: The History of an Extraordinary Operatic Phenomenon, by Patrick Barbier.04-Nov-98: What's Your Opera I. Q.: A Quiz Book for Opera Lovers, by Iris Bass.04-Nov-98: What to Listen for in Music, by Aaron Copland.04-Nov-98: A Dictionary of Musical Quotations, by Ian Crofton, Donald Fraser.04-Nov-98: Ring Resounding, by John Culshaw.04-Nov-98: The Singing of the Future, by David Thomas Davies.04-Nov-98: Biographisch-bibliographisches Quellenlexikon der Musiker und Musikgelehrten der christlichen Zeitrechnung bis zur Mitte des neunzehnten Jahrhunderts, by Robert Eitner.04-Nov-98: A Night at the Opera: An Irreverent Guide to the Plots, the Singers, the Composers, the Recordings, by Sir Denis Forman.04-Nov-98: The Bluffer's Guide to Music, by Peter Gammond.04-Nov-98: The Mysticism of Sound and Music, by Inayat Khan.04-Nov-98: Dictionary of Music, by Alan Isaacs, Elizabeth Martin.04-Nov-98: Workbook for Piston/Devoto Harmony, by Arthur Jannery.04-Nov-98: Tuning: Containing the Perfection of Eighteenth-Century Temperament, The Lost Art of Nineteenth-Century Temperament, And The Science of Equal . . ., by Owen Jorgensen.04-Nov-98: Italian Opera, by David R. B Kimbell.04-Nov-98: The Queen's Throat: Opera, Homosexuality, and the Mystery of Desire, by Wayne Koestenbaum.04-Nov-98: Who Killed Classical Music?: Maestros, Managers, and Corporate Politics, by Norman Lebrecht.04-Nov-98: Tuva or Bust!: Richard Feynman's Last Journey, by Ralph Leighton.04-Nov-98: Experimental Music: Cage and Beyond, by Michael Nyman.04-Nov-98: The dictionary of opera, by Charles Osborne.04-Nov-98: The Florentine Camerata: Documentary Studies and Translations, by Claude V Palisca.04-Nov-98: Women & Music: A History, by Karin Pendle.04-Nov-98: Harmony, by Walter Piston.04-Nov-98: Opera for Dummies, by David Pogue, Scott Peck.04-Nov-98: Harvard Concise Dictionary of Music, by Don Michael Randel.04-Nov-98: History of the National Association of Teachers of Singing, by Harvey Ringel.04-Nov-98: Opera in Seventeenth-Century Venice: The Creation of a Genre, by Ellen Rosand.04-Nov-98: The Concise Oxford Dictionary of Opera, by Harold Rosenthal.04-Nov-98: The New Grove Dictionary of Music and Musicians, by Stanley Sadie.04-Nov-98: The New Grove Dictionary of Opera, by Stanley Sadie.04-Nov-98: Harmony and Melody, by Elie Siegmeister.04-Nov-98: A History of Key Characteristics in the Eighteenth and Early Nineteenth Centuries, by Rita Steblin.04-Nov-98: A History of Song, by Denis Stevens.04-Nov-98: The Double Bass, by Patrick Suskind.04-Nov-98: The Secret Power of Music, by David Tame.04-Nov-98: Observations on the Florid Song (Opinioni de' cantori antichi e moderni; o sieno, Osservazioni sopra il canto figurato), by Pier Francesco Tosi.04-Nov-98: Introduction to Literature: Poems, by Lynn Altenbernd, Leslie L Lewis.04-Nov-98: Poetry from Statement to Meaning, by Jerome Beaty.04-Nov-98: The Internet Directory, by Eric Braun.04-Nov-98: 1913: The Defiant Swan Song, by Virginia Cowles.04-Nov-98: Trilby, by George du Maurier.04-Nov-98: Rites of Spring: The Great War and the Birth of the Modern Age, by Modris Eksteins.04-Nov-98: Early Twentieth-Century Britain vol. 8, by Boris Ford.04-Nov-98: The Great War and Modern Memory, by Paul Fussell.05-Nov-98: The Silent Miaow: A Manual for Kittens, Strays and Homeless Cats, by Paul Gallico.05-Nov-98: The Coming Plague: Newly Emerging Diseases in a World Out of Balance, by Laurie Garrett.05-Nov-98: Local Knowledge: Further Essays in Interpretive Anthropology, by Clifford Geertz.05-Nov-98: New York 1913: The Armory Show and the Paterson Strike Pageant, by Martin Green.05-Nov-98: The Dance of Life: The Other Dimension of Time, by Edward Twitchell Hall.05-Nov-98: In Defense of Elitism, by William A Henry.05-Nov-98: A War Imagined: The First World War and English Culture, by Samuel Lynn Hynes.05-Nov-98: Color Me Beautiful, by Carole Jackson.05-Nov-98: Color for Men, by Carole Jackson.05-Nov-98: The Whole Way to Allergy Relief & Prevention: A Doctor's Complete Guide to Treatment & Self-care, by Jacqueline Krohn.05-Nov-98: A World Lit Only by Fire: The Medieval Mind and the Renaissance: Portrait of an Age, by William Raymond Manchester.05-Nov-98: Angela's Ashes: A Memoir, by Frank McCourt.05-Nov-98: The American Language: An Inquiry into the Development of English in the United States, by H. L Mencken.05-Nov-98: A Joseph Campbell Companion: Reflections on the Art of Living, by Diane K Osborn.05-Nov-98: The Hindu-yogi Science of Breath: A Complete Manual of the Oriental Breathing Philosophy of Physical, Mental, Psychic and Spiritual Development, by Yogi (W. W. Atkinson) Ramacharaka.05-Nov-98: Sexual Peace: Beyond the Dominator Virus, by Michael Sky.05-Nov-98: The Twelve Caesars, by Gaius Suetonius Tranquillus.05-Nov-98: From Bauhaus to Our House, by Tom Wolfe.05-Nov-98: The Painted Word, by Tom Wolfe.
[click for top of page] 11/1/98: Site Update
We are in the middle of the last really heinous part of tour--two shows in a row (after
we are already utterly exhausted) followed by two days of 14-hour driving and then two
hours of driving before set up and performance of another show. A few people have
had to leave tour because of health and family problems, including the other Figaro
(leaving only me) and the other Cherubino (leaving only Karyn, but a back-up batter has
been brought in). So my apologies for the slow updates, but hopefully they will
return to a decent schedule once we are on a decent schedule!
Meanwhile, I continue to enter books in the automated bibliography database. Up
to over 400 now, and probably about 150 to go. Then a bit of debugging, and then
I'll put it up on the site!
I have added one link to the opera section: a web page with
advice to young artists from a pro who has been through Glimmerglass and Merola, and is
now living in Rome and doing gigs in Europe and the States. I really enjoyed
perusing the site; maybe you will too!
Sam Farrell of the Ernst Bacon Society also
contacted me about our site. I've put his site up in the song catalog already (it
will be posted next time I publish the database), but I think I'll put it up on the Art Song page too. They actually have not catalogued Bacon's
art songs on their site yet but they still have a lot of worthwhile information about this
American composer (1898-1990: centennial this year!).
Off to sleep for us!
Song Catalog
No new songs
Bibliography
27-Oct-98: Musical Settings of British Romantic Literature: A Catalog, by Bryan N. S. Gooch, David S. Thatcher.27-Oct-98: Musical Settings of Late Victorian and Modern British Literature: A Catalogue, by Bryan N. S. Gooch, David S. Thatcher.27-Oct-98: Performer's Guide to Theater Songs: Vol. 1 (female), by Brian Hall.27-Oct-98: Performer's Guide to Theater Songs: Vol. 2 (male), by Brian Hall.27-Oct-98: Samuel Barber: A Bio-bibliography, by Don A Hennessee.27-Oct-98: Samuel Barber: The Composer and his Music, by Barbara B Heyman.27-Oct-98: Musical Settings of American Poetry: A Bibliography, by Michael A Hovland.27-Oct-98: Catalogue of Vocal Solos and Duets Arranged in Biblical Order, by James H Laster.27-Oct-98: American Vocal Chamber Music, 1945-1980: An Annotated Bibliography, by Patricia Lust.27-Oct-98: Campion, Dowland and the Lutenist Songwriters, by Michael Pilkington.27-Oct-98: Gurney, Ireland, Quilter and Warlock, by Michael Pilkington.27-Oct-98: Henry Purcell and the London Stage, by Curtis Alexander Price.27-Oct-98: A Singer's Guide to the Art Song, 1870-1980, by Victoria Etnier Villamil.27-Oct-98: Song in America: From Early Times to About 1850, by Grace D Yerbury.27-Oct-98: The Singer's Schumann, by Thilo Reinhard.27-Oct-98: The Songs of Hugo Wolf, by Eric Sams.27-Oct-98: The Songs of Robert Schumann, by Eric Sams.27-Oct-98: Thematisch-systematisches Verzeichnis der musikalischen Werke von Johann Sebastian Bach: Bach-Werke-Verzeichnis, by Wolfgang Schmieder.27-Oct-98: Francis Poulenc: The Man and His Songs, by Pierre Bernac.27-Oct-98: Nineteenth-Century French Song: Faure, Chausson, Duparc, Debussy, by Barbara Meister.27-Oct-98: Diary of my Songs, by Francis Poulenc.27-Oct-98: The Singer's Debussy, by Marie-Claire Rohinsky.27-Oct-98: The Singer's anthology of 20th century Spanish songs, by Josep Miquel Sobrer, Edmon Colomer.27-Oct-98: An Annotated Bibliography of Korean Music, by Bang-song Song.27-Oct-98: The Spanish Song Companion, by Jacqueline Cockburn, Richard Stokes.27-Oct-98: Word-by-Word Translation of Songs and Arias: German and French, by Berton Coffin.27-Oct-98: Word-by-Word Translation of Songs and Arias: Italian, by Berton Coffin.27-Oct-98: The Fischer-Dieskau Book of Lieder, by Dietrich Fischer-Dieskau.27-Oct-98: The Metropolitan Opera Book of Mozart Operas, by Paul Gruber.27-Oct-98: Masters of the Italian Art Song: Word-by-Word and Poetic Translations of the Complete Songs for Voice and Piano, by Timothy LeVan.27-Oct-98: Masters of the French Art Song: Translations of the Complete Songs of Chausson, Debussy, Duparc, Faure & Ravel, by Timothy LeVan.27-Oct-98: The Ring of Words: An Anthology of Song Texts, by Philip L Miller.27-Oct-98: Airs et melodies: Mozart, Schubert, classiques italiens, by Marie-Therese Paquin.27-Oct-98: Dix cycles de Lieder ("Ten cycles of Lieder"): Beethoven, Brahms, Mahler, Schubert, Schumann, by Marie-Therese Paquin.27-Oct-98: Donizetti: Don Pasquale, by Marie-Therese Paquin.27-Oct-98: Donizetti: L'elisir d'amore, by Marie-Therese Paquin.27-Oct-98: Mascagni: Cavalleria rusticana, by Marie-Therese Paquin.27-Oct-98: Mozart: Cosi fan tutte, by Marie-Therese Paquin.27-Oct-98: Mozart: Don Giovanni, by Marie-Therese Paquin.27-Oct-98: Mozart: Le nozze di Figaro, by Marie-Therese Paquin.27-Oct-98: Puccini: Madama Butterfly, by Marie-Therese Paquin.27-Oct-98: Puccini: Il tabarro; Suor Angelica; Gianni Schicchi, by Marie-Therese Paquin.27-Oct-98: Puccini: Tosca, by Marie-Therese Paquin.27-Oct-98: Verdi: Aida, by Marie-Therese Paquin.27-Oct-98: Verdi: Otello, by Marie-Therese Paquin.27-Oct-98: Verdi: La traviata, by Marie-Therese Paquin.27-Oct-98: Verdi: Il trovatore, by Marie-Therese Paquin.27-Oct-98: Lieder Line by Line and Word for Word, by Lois Phillips.27-Oct-98: English Singing Translations of Foreign Language Art Songs, by Arthur Schoep.27-Oct-98: Word-by Word Translations of Songs and Arias, Part II: Italian, by Arthur Schoep, Daniel Harris.27-Oct-98: Schubert: The Complete Song Texts: Texts of the Lieder and Italian Songs, by Richard Wigmore.27-Oct-98: The Complete Puccini Libretti in Two Volumes, by Nico Castel.27-Oct-98: The Complete Verdi Libretti in Four Volumes, by Nico Castel.27-Oct-98: The Complete Mozart Libretti, by Nico Castel.27-Oct-98: The Singer's Rachmaninoff, by Natalia Challis.27-Oct-98: Phonetic Readings of Songs and Arias, by Berton Coffin.27-Oct-98: Phonetic Readings of Brahms Lieder, by Candace A Magner.27-Oct-98: Phonetic readings of Schubert Lieder, by Candace A Magner.27-Oct-98: Russian Songs & Arias: Phonetic Readings, Word-by-Word Translations, and a Concise Guide to Russian Diction, by Jean Piatak, Regina Avrashov.27-Oct-98: Complete handbook of voice training, by Richard M Alderson.27-Oct-98: The Voice of Singing, by Esther Andreas, Robert Fowells.27-Oct-98: The science of vocal pedagogy: theory and application, by Dudley Ralph Appelman.27-Oct-98: Dynamic singing; a new approach to free voice production, by Louis Bachner.27-Oct-98: Vocal resonance: its source and command, by Mame Barbereux-Parry.27-Oct-98: Producer's Masterclass for Singers, by James Bowers.27-Oct-98: Vocal Wisdom: Maxims of Giovanni Battista Lamperti, by William Earl Brown, Lillian Strongin.27-Oct-98: Dynamics of the Singing Voice, by Meribeth Bunch.27-Oct-98: Teaching Singing, by John Carroll Burgin.27-Oct-98: The Tao of Voice : A New East-West Approach to Transforming the Singing and Speaking Voice, by Stephen Chun-Tao Cheng.27-Oct-98: Expressive Singing, by Van Ambrose Christy.27-Oct-98: Expressive Singing Song Anthology, by Van Ambrose Christy.27-Oct-98: Foundations in Singing: A Basic Textbook in Vocal Technique and Song Interpretation, by Van Ambrose Christy.27-Oct-98: The Clippinger Class-method of Voice Culture, by David Alva Clippinger.27-Oct-98: Historical Vocal Pedagogy Classics, by Berton Coffin.27-Oct-98: Overtones of Bel Canto, by Berton Coffin.27-Oct-98: Sounds of Singing, by Berton Coffin.27-Oct-98: Great Singers on the Art of Singing, by James Francis Cooke, Harriet Brower.27-Oct-98: Modern Techniques of Vocal Rehabilitation, by Morton Cooper.27-Oct-98: Mechanics of Singing, by Beatrice Dobelle, Charles Sorrento.27-Oct-98: The Functional Unity of the Singing Voice, by Barbara Doscher.27-Oct-98: Voice Building for Choirs, by Wilhelm Ehmann, Frauke Haasemann.27-Oct-98: Training the Singing Voice: An Analysis of the Working Concepts Contained in Recent Contributions to Vocal Pedagogy, by Victor Alexander Fields.28-Oct-98: Foundations of the Singer's Art, by Victor Alexander Fields.28-Oct-98: The Tenor Voice, by Anthony Frisell.28-Oct-98: The Soprano Voice, by Anthony Frisell.28-Oct-98: The Baritone Voice, by Anthony Frisell.28-Oct-98: A Singer's Notebook, by Anthony Frisell.28-Oct-98: Singing Energy in the Gan-Tone Method of Voice Production, by Robert Gansert.28-Oct-98: A Complete Treatise on the Art of Singing: Complete and Unabridged, by Manuel Garcia II.28-Oct-98: Hints on Singing, by Manuel Garcia II.28-Oct-98: A Basic Counter-Tenor Method for Teacher and Student, by Peter Giles.28-Oct-98: The History and Technique of the Counter-Tenor, by Peter Giles.28-Oct-98: About the Tomatis Method, by Timothy M Gilmor, Paul Madaule, Billie Thompson.28-Oct-98: The New Voice: How to Sing and Speak Properly, by Alan Greene.28-Oct-98: Healing Sounds: The Power of Harmonics, by Jonathan Goldman.28-Oct-98: Selected Articles from the Writings of William Vennard, by Robert T Gurnee.28-Oct-98: On Singers and Singing: Lectures and an Essay, by Reynaldo Hahn.28-Oct-98: Technique in Singing: A Program for Singers and Teachers, by Richard W Harpster.28-Oct-98: How to Train Singers: With Illustrated "Natural" Techniques & Taped Exercises, by Larra Browning Henderson.28-Oct-98: The Alchemy of Voice, by Edgar F Herbert-Caesari.28-Oct-98: The Science and Sensations of Vocal Tone: A School of Natural Vocal Mechanics, by Edgar F Herbert-Caesari.28-Oct-98: Tradition and Gigli, 1600-1955: A Panegyric, by Edgar F Herbert-Caesari.28-Oct-98: Vocal Truth: Some of the Things I Teach, by Edgar F Herbert-Caesari.28-Oct-98: The Voice of the Mind, by Edgar F Herbert-Caesari.28-Oct-98: tapes of drills of Caesari method, by Edgar F Herbert-Caesari.28-Oct-98: Great Singers on Great Singing, by Jerome Hines.28-Oct-98: Singing: The Physical Nature of the Vocal Organ: A Guide to the Unlocking of the Singing Voice, by Frederick Husler, Yvonne Rodd-Marling.28-Oct-98: On Studying Singing, by Sergius Kagen.28-Oct-98: Fundamentals of Singing: for Voice Classes, by Charles Edward Lindsley.28-Oct-98: Teach Yourself Singing, by Timothy Kelly.28-Oct-98: Choral techniques, by Gordon H Lamb.28-Oct-98: How to Sing, by Lilli Lehmann.28-Oct-98: Vocal Development Through Organic Imagery, by William D Leyerle.28-Oct-98: The Diagnosis and Correction of Vocal Faults, by James C McKinney.29-Oct-98: Bel Canto: The Teaching of the Classical Italian Song-Schools, Its Decline and Restoration, by Lucie Manen.29-Oct-98: A Vademecum for Singing-Teachers and Pupils, by Salvatore Marchesi.29-Oct-98: Stimme und Gestaltung : die Grundprobleme des Liedgesanges, by Franziska Martienssen-Lohmann.29-Oct-98: Der wissende Sänger: Gesangslexikon in Skizzen, by Franziska Martienssen-Lohmann.29-Oct-98: Diva: Great Sopranos and Mezzos Discuss their Art, by Helena Matheopoulos.29-Oct-98: Divo: Great Tenors, Baritones, and Basses Discuss their Roles, by Helena Matheopoulos.29-Oct-98: English, French, German and Italian Techniques of Singing: A Study in National Tonal Preferences and How They Relate to Functional Efficiency, by Richard Miller.29-Oct-98: On the Art of Singing, by Richard Miller.29-Oct-98: The Structure of Singing: System and Art in Vocal Technique, by Richard Miller.29-Oct-98: Training Tenor Voices, by Richard Miller.29-Oct-98: The Art of Singing: A Compendium of Thoughts on Singing Published Between 1777 and 1927, by Brent Jeffrey Monahan.29-Oct-98: Teaching kids to sing, by Kenneth Harold Phillips.29-Oct-98: Breathing, speech, and song, by Donald F Proctor.29-Oct-98: Bel Canto: Principles and Practices, by Cornelius Reid.29-Oct-98: Essays on the Nature of Singing, by Cornelius Reid.29-Oct-98: The Free Voice: A Guide to Natural Singing, by Cornelius Reid.29-Oct-98: Voice: Psyche and Soma, by Cornelius Reid.29-Oct-98: A Dictionary of Vocal Terminology: An Analysis, by Cornelius Reid.29-Oct-98: Voice: A Dramatic New Concept for Singing and Speaking, by Denton Rossell.29-Oct-98: The Singing Voice, by Robert Rushmore.29-Oct-98: The Singer and His Art, by Aksel Schiotz.29-Oct-98: Basics of Singing, by Jan Schmidt.29-Oct-98: The Art of Singing, by Luisa Tetrazzini, Enrico Caruso.29-Oct-98: Functional Lessons in Singing, by Ivan Trussler, Walter Ehret.29-Oct-98: Developing Voices, by William Vennard.29-Oct-98: Singing: The Mechanism and the Technic, by William Vennard.29-Oct-98: Adventures in Singing: A Process for Exploring, Discovering & Developing Vocal Potential, by Clifton Ware.29-Oct-98: Sinus Tone Production, by Ernest George White.29-Oct-98: Building the Voice as an Instrument, by Pearl Wormhoudt.29-Oct-98: Rock and Roll Singers Survival Manual, by Mark Baxter.29-Oct-98: Learning to Sing Non-Classical Music, by Ron Combs, Robert Bowker.29-Oct-98: Born to Sing: Vocal Technique, by Elisabeth Howard, Howard Austin.29-Oct-98: Vocal Style, by Elisabeth Howard, Howard Austin.29-Oct-98: Advanced Technique, by Elisabeth Howard, Howard Austin.29-Oct-98: Music: Reading and Hearing, Singing Harmony, by Elisabeth Howard, Howard Austin.29-Oct-98: P. O. P. S.: Principles of Pop Singing, by Jodie Lyons, Lanelle Stevenson.29-Oct-98: Singing for the Stars: A Complete Program for Training Your Voice, by Seth Riggs.29-Oct-98: Vocal Behavior Training, by Raymond Smolover.29-Oct-98: The Phenomena of the Pop/Belt Voice, by Jan Sullivan.29-Oct-98: Phonetics and Diction in Singing, by Kurt Adler.29-Oct-98: A Singer's Manual of Spanish Lyric Diction, by Nico Castel.29-Oct-98: Italian Phonetics, Diction, and Intonation, by Pierina Borrani Castiglione.29-Oct-98: The Pronunciation of Italian: A Practical Introduction, by Marguerite Chapallaz.29-Oct-98: Singers' Italian: A Manual of Diction and Phonetics, by Evelina Colorni.29-Oct-98: Singing in Latin, or, Pronunciation explor'd, by Harold Copeman.29-Oct-98: The Pocket Singing in Latin, by Harold Copeman.29-Oct-98: The Singer's Manual of German and French Diction, by Richard G Cox.29-Oct-98: Singing in English: A Manual of English Diction for Singers and Choral Directors, by Richard G Cox.29-Oct-98: Siebs Deutsche Aussprache: Reine und gemaessigte Hochlautung mit Aussprachewoerterbuch, by Helmut de Boor, Hugo Moser, Christian Winkler.30-Oct-98: French Lyric Diction, by Thomas M Donnan.30-Oct-98: American diction for singers : singing & speaking American English, by Geoffrey G Forward.30-Oct-98: Power Speech Basics, by Geoffrey G Forward.30-Oct-98: Pro Speech: Standard American Diction, by Geoffrey G Forward.30-Oct-98: Singing in French: A Manual of French Diction and French Vocal Repertoire, by Thomas Grubb.30-Oct-98: Singer's Manual of Latin Diction and Phonetics, by Robert S Hines.30-Oct-98: The Pronunciation of English, by Daniel Jones.30-Oct-98: Everyman's English Pronouncing Dictionary, by Daniel Jones.30-Oct-98: A Pronouncing Dictionary of American English, by John S Kenyon, Thomas A Knott.30-Oct-98: German Pronunciation, by Walter Kuhlman.30-Oct-98: The Singer's Manual of English Diction, by Madelaine Marshall.30-Oct-98: Diction: Italian, Latin, French, German: The Sounds and 81 Exercises for Singing Them, by John Moriarty.30-Oct-98: German for Singers: A Textbook of Diction and Phonetics, by William Odom.30-Oct-98: The Singer's Guide to Languages, by Marcie Stapp.30-Oct-98: Foreign Accent Reduction, by David Alan Stern.30-Oct-98: To Sing in English: A Guide to Improved Diction, by Dorothy Uris.30-Oct-98: International Phonetic Alphabet for Singers: A Manual for English and Foreign Language Diction, by Joan Wall.30-Oct-98: Diction for Singers: A Concise Reference for English, Italian, Latin, German, French, and Spanish Pronunciation, by Joan Wall, Robert Caldwell.30-Oct-98: Voices: Singers & Critics, by J. B Steane.30-Oct-98: Research Aspects on Singing: Autoperception, Computer Synthesis, Emotion, Health, Voice Source, by Committee for the Acoustics of Music.30-Oct-98: Speech and Language: Advances in Basic Research and Practice, by [unknown].30-Oct-98: Vocal Arts Medicine: The Care and Prevention of Professional Voice Disorders, by Michael S Benninger.30-Oct-98: The voice and voice therapy, by Daniel R Boone, Stephen C McFarlane.30-Oct-98: Keep Your Voice Healthy, by Friedrich Samuel Brodnitz.30-Oct-98: Vocal rehabilitation: a manual prepared for the use of graduates in medicine, by Friedrich Samuel Brodnitz.31-Oct-98: Understanding Voice Problems: A Physiological Perspective for Diagnosis and Treatment, by Raymond H Colton, Janina K Casper.31-Oct-98: Modern Techniques of Vocal Rehabilitation, by Morton Cooper.31-Oct-98: Experimental Research in the Psychology of Music, by Edwin Gordon.31-Oct-98: Musical Aptitude Profile, by Edwin Gordon.31-Oct-98: The Psychology of Music Teaching, by Edwin Gordon.31-Oct-98: Voice Surgery, by Wilbur James Gould, Robert Thayer Sataloff, Joseph Richard Spiegel.31-Oct-98: Disorders of Voice, by Margaret C. L Greene.31-Oct-98: The Voice and Its Disorders, by Margaret C. L Greene, Lesley Mathieson.31-Oct-98: Respiratory Function in Speech and Song, by Thomas J Hixon.31-Oct-98: Vocal Registers in Singing: Proceedings of a Symposium, by John W Large.31-Oct-98: Voice, Speech, Language: Clinical Communicology: Its Physiology and Pathology, by Richard Luchsinger, Godfrey E Arnold.31-Oct-98: Singing a Song: How You Sing, Speak, and Make Sounds (The Body in Action), by Steve Parker.31-Oct-98: Manual of Voice Therapy, by Rex J Prater, Roger W Swift.31-Oct-98: Professional Voice: The Science and Art of Clinical Care, by Robert Thayer Sataloff.31-Oct-98: Professional Voice: The Science and Art of Clinical Care, by Robert Thayer Sataloff.31-Oct-98: Textbook of Performing Arts Medicine, by Robert Thayer Sataloff, Alice Brandfonbrenner, Richard J Lederman.31-Oct-98: Vocal Exercise Physiology, by Keith G Saxon, Carole M Schneider.31-Oct-98: MusicMedicine: International Society for Music in Medicine, Fourth International MusicMedicine Symposium, by Ralph Spintge, Roland Droh.31-Oct-98: Musik in der Medizin: neurophysiologische Grundlagen, klinische Applikationen, geisteswissenschaftliche Einordnung, by Ralph Spintge, Roland Droh.31-Oct-98: Musik in der Medizin: 2. internationales Symposion, Sportkrankenhaus Hellersen, Ludenscheid, Deutschland, 6. und 7. Oktober 1984, by Ralph Spintge, Roland Droh.31-Oct-98: The Science of the Singing Voice, by Johan Sundberg.31-Oct-98: Principles of Voice Production, by Ingo R Titze.31-Oct-98: Vocal Fold Physiology: Biomechanics, Acoustics, and Phonatory Control, by Ingo R Titze.31-Oct-98: The Conscious Ear: My Life of Transformation Through Listening, by Alfred Tomatis.31-Oct-98: A Series of Four Electromyographic Studies, by William Vennard, Minoru Hirano, John Ohala, Bjorn Fritzell.31-Oct-98: The Singers Voice, by Joan Wall, Robert Caldwell.31-Oct-98: Speech and Hearing Science: Anatomy and Physiology, by Willard R Zemlin.31-Oct-98: Callas at Julliard: The Master Classes, by John Ardoin.31-Oct-98: The Interpretation of French song, by Pierre Bernac.31-Oct-98: Performance Practice, Volume II: Music After 1600, by Howard Mayer Brown, Stanley Sadie.31-Oct-98: The Interpretation of Music, by Thurston Dart.31-Oct-98: The History of Music in Performance: The Art of Musical Interpretation from the Renaissance to our Day, by Frederick Dorian.31-Oct-98: The Art of the Song Recital, by Shirlee Emmons, Stanley Sonntag.31-Oct-98: Bringing Soprano Arias to Life, by Boris Goldovsky, Arthur Schoep.31-Oct-98: Interpretation in Song, by Harry Plunket Greene.31-Oct-98: Italian Art Song, by Ruth C Lakeway, Robert C White, Jr.31-Oct-98: More than Singing: The Interpretation of Songs, by Lotte Lehmann.31-Oct-98: Singer and Accompanist: The Performance of Fifty Songs, by Gerald Moore.31-Oct-98: An Interpretive Guide to Operatic Arias: A Handbook for Singers, Coaches, Teachers, and Students, by Martial Singher.31-Oct-98: A Commentary upon the Proper Art of Singing, by Benigne de Bacilly.31-Oct-98: Introduction to the Art of Singing by Johann Friedrich Agricola, by Julianne Baird.31-Oct-98: Embellishing 16th-Century Music, by Howard Mayer Brown.31-Oct-98: A Performer's Guide to Baroque Music, by Robert Donington.31-Oct-98: Baroque Music, Style and Performance: A Handbook, by Robert Donington.31-Oct-98: Das Vibrato in der Musik des Barock, by Greta Moens-Haenen.31-Oct-98: Ornamentation in Baroque and Post-Baroque Music, by Frederick Neumann.31-Oct-98: Ornamentation and Improvisation in Mozart, by Frederick Neumann.31-Oct-98: Franz Schubert, Die schone Mullerin, Winterreise, by Arnold Feil.31-Oct-98: Robert Schumann, Words and Music: The Vocal Compositions, by Dietrich Fischer-Dieskau.31-Oct-98: Interpreting the Songs of Gabriel Faure, by Robert Gartside.31-Oct-98: Interpreting the Songs of Maurice Ravel, by Robert Gartside.31-Oct-98: Complete Preparation: A Singer's Guide to Auditioning in Opera, by Joan Dornemann, Maria Caccia.31-Oct-98: How to Audition for the Musical Theatre: A Step-by-Step Guide to Effective Preparation, by Donald Oliver.31-Oct-98: Audition: Everything an Actor Needs to Know to Get the Part, by Michael Shurtleff.31-Oct-98: Auditioning for the Musical Theatre, by Fred Silver.31-Oct-98: The Complete Singer-Actor: Training for Music Theater, by H. Wesley Balk.31-Oct-98: Performing Power: A New Approach for the Singer-actor, by H. Wesley Balk.31-Oct-98: The Radiant Performer: The Spiral Path to Performing Power, by H. Wesley Balk.31-Oct-98: The Performer Prepares, by Robert Caldwell.31-Oct-98: A Performer Prepares: A Guide to Song Preparation for Actors, Singers, and Dancers, by David Craig.31-Oct-98: On Performing: A Handbook for Actors, Dancers, Singers on the Musical Stage, by David Craig.31-Oct-98: On Singing Onstage, by David Craig.31-Oct-98: Bringing Opera to Life: Operatic Acting and Stage Direction, by Boris Goldovsky.31-Oct-98: The Third Line: The Opera Performer as Interpreter, by Daniel Helfgot, William Beeman.31-Oct-98: Stanislavski on opera, by Pavel Ivanovich Rumiantsev.31-Oct-98: Voice and the Actor, by Cicely Berry.31-Oct-98: Acting: The First Six Lessons, by Richard Boleslavsky.31-Oct-98: The Open Door: Thoughts on Acting and Theatre, by Peter Brook.31-Oct-98: A Practical Handbook for the Actor, by Melissa Bruder.31-Oct-98: The Presence of the Actor, by Joseph Chaikin.31-Oct-98: To The Actor: On the Technique of Acting, by Michael Checkov.31-Oct-98: Acting Shakespeare, by Sir John Gielgud.31-Oct-98: An Actor and his Time, by Sir John Gielgud.31-Oct-98: Backward Glances, by Sir John Gielgud.31-Oct-98: Distinguished Company, by Sir John Gielgud.31-Oct-98: Early Stages, by Sir John Gielgud.31-Oct-98: Shakespeare: Hit or Miss?, by Sir John Gielgud.31-Oct-98: Stage directions, by Sir John Gielgud.31-Oct-98: The Director: A Guide to Modern Theater Practice, by William Alfred Gregory.31-Oct-98: Towards a Poor Theatre, by Jerzy Grotowski.31-Oct-98: A Challenge for the Actor, by Uta Hagen.31-Oct-98: Respect for Acting, by Uta Hagen.31-Oct-98: American Dialects: A Manual for Actors, Directors, and Writers, by Lewis Helmar Herman, Marguerite Shalett Herman.31-Oct-98: Foreign Dialects: A Manual for Actors, Directors, and Writers, by Lewis Helmar Herman, Marguerite Shalett Herman.01-Nov-98: The Use and Training of the Human Voice; A Practical Approach to Speech and Voice Dynamics, by Arthur Lessac.01-Nov-98: Freeing the Natural Voice, by Kristin Linklater.01-Nov-98: Silent Messages: Implicit Communication of Emotions and Attitudes, by Albert Mehrabian.01-Nov-98: Sanford Meisner on Acting, by Sanford Meisner.01-Nov-98: Training an Actor: The Stanislavski System in Class, by Sonia Moore.01-Nov-98: An Actor Prepares, by Konstantin Stanislavsky.01-Nov-98: Building a Character, by Konstantin Stanislavsky.01-Nov-98: Creating a Role, by Konstantin Stanislavsky.01-Nov-98: My Life in Art, by Konstantin Stanislavsky.01-Nov-98: A Dream of Passion: The Development of the Method, by Lee Strasberg.01-Nov-98: Opera and its Symbols: The Unity of Words, Music, and Staging, by Robert Donington.01-Nov-98: The Back Stage Handbook for the Performing Artist, by Sherry Eaker.01-Nov-98: The Performing Arts Major's College Guide, by Carole J Everett.01-Nov-98: How You Can Break Into the Music Business Without Breaking Your Heart, Your Dream, or Your Bank Account, by Marty R Garrett.01-Nov-98: The Musician's Business and Legal Guide, by Mark Halloran.01-Nov-98: Making Music in Looking Glass Land: A Guide to Survival and Business Skills for the Classical Musician, by Ellen Highstein.01-Nov-98: This Business of Music, by M. William Krasilovsky, Sidney Shemel.01-Nov-98: Music Management Company Directory, by [unknown].01-Nov-98: NATS Membership Directory, by National Association of Teachers of Singing.01-Nov-98: 1996 Directory of Coaches and Accompanists, by New York Opera Newsletter.01-Nov-98: OPERA America Career Guide for Singers, by [unknown].01-Nov-98: The Professional Singer's Guide to New York, by Richard Owen.01-Nov-98: The Performing Artist's Handbook, by Janice Papolos.01-Nov-98: Peterson's Professional Degree Programs in the Visual and Performing Arts, by Peterson's Guides.01-Nov-98: Complete Singer's Guide to Becoming a Working Professional, by Wayland Pickard.01-Nov-98: The Fifth Discipline: The Art and Practice of the Learning Organization, by Peter M Senge.01-Nov-98: The Fifth Discipline Fieldbook: Strategies and Tools for Building a Learning Organization, by Peter M Senge.01-Nov-98: Singing for a Living: How to Build a Career as a Singer: Making Records or Singing Live in your Hometown or on the Road, by Marta Woodhull.01-Nov-98: Kloiber Handbuch der Oper, by [unknown].01-Nov-98: The Art of Auditioning: A Handbook for Singers, Accompanists and Coaches, by Anthony Legge.01-Nov-98: Kein Angst Baby, by Dorothy Madison, Gail Sullivan.01-Nov-98: Towards a Career in Europe: A Resource Book for American Singers Auditioning in Austria, Germany, and Switzerland, by Richard Owens.01-Nov-98: Musician's Survival Kit: How to Get Work with Music, by Leonard Pearcey.
[click for top of page] 10/29/98: Site News
I wrote the second newsletter and sent it out to the subscribers. If you would
also like to subscribe, look here. If you would
like to read the first two newsletters, click here.
[click for top of page] 10/28/98: Site Update
We sang some master classes with Phyllis Curtin yesterday and today. They went
fine. Ms. Curtin is extremely nice. I used the opportunity to get an audience
for a new audition aria, Osmin's "O wie will ich triumphieren". Auditions
are coming up soon!
In other company news, the other Figaro in our company has badly injured one of his
legs, and will be unable to perform for the rest of tour--which, selfishly, means a
potentially very bad situation for me, with several Figaros hot on the heels of one
another. But, better in my shoes than his. I hope he gets better soon.
The new, not-yet-unveiled automated bibliography now has about 130 or 140 books in
it--probably about a third or half the final number once I transfer all the info from the
current incarnation into the new one. I have a few other ideas I may implement into
the bibliography as well. And I'll work on the newsletter a bit tonight.
Finally, I got a nice email from someone who wanted to link to this site. She has
a site herself; I am going to check it out to decide where to list the link to her pages.
You can visit it before me though: click here!
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